
A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
A satire set in the contemporary art world scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.
Leave your thoughts about Velvet Buzzsaw.
| Chicago Sun-TimesRichard RoeperWith a combination of bone-dry wit and blood-drenched horror, writer-director Dan Gilroy’s Velvet Buzzsaw skewers some of the most pretentious denizens of the art world you’d ever want NOT to meet — and does so with precision and flair and pitch-black humor. |
| The New York TimesGlenn KennyThe confident storytelling and the bravura acting — Daveed Diggs, Toni Collette and John Malkovich contribute compelling caricatures — carry “Buzzsaw” all the way home. |
| TheWrapCarlos AguilarInventively, Gilroy utilizes exaggerated horror tropes to take to task our cynical thoughts about artistic creation. His sharp Velvet Buzzsaw is an exquisitely diabolical exposé on the merciless materialistic ambitions that run rampant in cultural fields. |
| The Associated PressJake CoyleVelvet Buzzsaw doesn’t lead anywhere inward; it becomes just a litany of (exquisite) death scenes for art-world caricatures. Still, what caricatures they are. |
| Entertainment WeeklyLeah GreenblattFor a lot of its runtime, Velvet is fun and silly and enjoyably outrageous. It’s hard, though, to walk away with a real sense of anything more than blood on the canvas and a blank where your feelings — beyond mild bemusement, and a sudden appetite for prime Los Angeles real estate — should be. |
| IGNMatt FowlerThe film's a fun and humble horror offering set among the world of pretension and status. |
| The Film StageDan MeccaVelvet Buzzsaw may not be visionary, but it’s a ton of fun. |
| The VergeTasha RobinsonVelvet Buzzsaw is a messy movie, and not just in the sense that Gilroy ends up painting a room with blood at one point. |
| The Hollywood ReporterTodd McCarthyThere’s enough fun, writerly glee and actors enjoying their little rampages to make Velvet Buzzsaw a decent distraction for a couple of hours, but also something of a schizophrenic case all its own. |
| VarietyPeter DebrugeIn her capacity as a film critic — and the sort of populist who was allergic to snobs like Morf — Pauline Kael famously quipped, “Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.” Gilroy doesn’t even aspire to making great art, but he’s getting better at delivering the latter. |