
A sex and love addicted woman learns what real intimacy is when she starts making music with a reclusive man.... (Full plot summary below)
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A sex and love addicted woman learns what real intimacy is when she starts making music with a reclusive man.
Leave your thoughts about Unlovable.
| Moveable FestStephen SaitoUnlovable may be about someone who's a work-in-progress when it comes to being embraced, but the film itself is very much ready for your affection. |
| Film ThreatAlan NgUnlovable laid everything out on the line, and bared its heart and anyone suffering from any form of addiction can find something in its words. Films like this are few and far between, but the sooner we realize it's okay not to be okay, the better. |
| Los Angeles TimesKimber MyersDirector Yoonessi and deGuzman perfectly balance the contrast between Joy’s cuteness and innocence and the darkness and sexuality of her experience. |
| VarietyJoe LeydonThere are times when you’re tempted to turn away when Joy makes the latest in a long line of really bad, even self-destructive choices. But deGuzman’s performance is so arresting and engaging, you keep your eyes glued to her — if only so you don’t miss the next development that will be hilarious or heartbreaking or both. |
| Elements of MadnessDouglas DavidsonUnlovable manages to balance the real trauma of addiction with the humor that frequently assists in coping and even healing |
| Crooked MarqueeMeredith BordersIt's a beautiful, hilarious, heart-wrenching film that comes from a place of deep honesty and vulnerability, and [Charlene] deGuzman's performance - inspired, as it is, by the truth of her own recovery - is both courageous and compelling. |
| Film ThreatJordaine GivensFilms like this are few and far between, but the sooner we realize it’s okay not to be okay, the better. |
| Hollywood ReporterJohn DeForeA lack of psychological depth probably isn't fatal for a lite get-your-act-together dramedy, but it might've made this hard-to-love protagonist easier to at least care about. |
| Film Journal InternationalAnna StormWith heavy-hitters like Melissa Leo and a particularly terrific John Hawkes backing up a magnetic deGuzman, the slight, 80-minute movie makes for strange and surprising entertainment. |
| Tribune News ServiceRick BentleyThe sets are so limited and interaction so tight, the presentation comes across as less of a feature film and more of a stage production. That's not a problem when the words and performances are as on target as the ones presented here. |