
An estimated 200,000 Chinese women were forced into prostitution by the Japanese army during WWII. Only 22 of them remain today to speak out publicly. This documentary is not a film for political gains or narrow nationalistic purposes. For the director and the crew, each and every one of those elderly women is a brave and strong individual with similar yet distinctive experiences. This is a group that deserves to be known and correctly understood by more people and a history ... (Full plot summary below)
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An estimated 200,000 Chinese women were forced into prostitution by the Japanese army during WWII. Only 22 of them remain today to speak out publicly. This documentary is not a film for political gains or narrow nationalistic purposes. For the director and the crew, each and every one of those elderly women is a brave and strong individual with similar yet distinctive experiences. This is a group that deserves to be known and correctly understood by more people and a history worth being preserved in a most accurate yet sensitive way. In the documentary, the current situation of those 22 elderly women will be presented in an impersonal way. There's no interrogation, sympathy, nor exaggeration in our film. You will hear them talk about their own experiences, and you will also learn about their perspectives on life, sufferings and happiness. Now all over 80 or 90 years old, those elderly ladies are at the very last stage of their life. This is probably the last chance for the public to actually see their situations and hear their own words while they are still alive. It should not be a history just written on pages.
Leave your thoughts about Twenty Two.
| NYC Movie GuruAvi OfferEmotionally powerful and mesmerizing. As profoundly moving, haunting and spellbinding as Shoah. One of the best documentaries of the year. |
| Boston HeraldJames VerniereDevastating and beautifully shot and edited. |
| Film Journal InternationalDavid NohBeautifully respectful and often plain beautiful. |
| Los Angeles TimesKimber MyersThere’s no artifice in this documentary, with the director simply presenting the women’s lives as they tell them, one after another. Slow-moving and sad, Twenty Two isn’t easy to watch, but it isn’t meant to be. |
| Washington PostMark JenkinsChinese director Guo Ke takes a quiet, deliberate approach. That must be partly out of respect for the women and their suffering. It’s also because this meditative film functions as a memorial to the remaining survivors: 22 of them when filming began, and even fewer today. |
| User ReviewYage HThe only movie that has made a grown man like me sob like a baby. |