
By presenting three filmmakers work simultaneously within a single 16mm frame, Tri-Alogue #2 offers a complexity of perspective that undermines the omniscient cinematic gaze and evokes a deeper relational mystery. Collaborating to subdivide a 16mm film frame into thirds, three filmmakers present their separately-shot-segments simultaneously within one spatial plane. From the interplay of these three points of view, emerges a cinematic conversation based on a horizontal compos... (Full plot summary below)
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By presenting three filmmakers work simultaneously within a single 16mm frame, Tri-Alogue #2 offers a complexity of perspective that undermines the omniscient cinematic gaze and evokes a deeper relational mystery. Collaborating to subdivide a 16mm film frame into thirds, three filmmakers present their separately-shot-segments simultaneously within one spatial plane. From the interplay of these three points of view, emerges a cinematic conversation based on a horizontal compositional logic within the shared frame. This combined connotative-relationship between the subframes evokes a spectacle of fractured spatial and temporal perspective. Tri-Alogue #2 is one of a series of films by Caryn Cline, Linda Fenstermaker and Reed O'Beirne.
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