Transformers: The Last Knight
Transformers: The Last Knight

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Autobots and Decepticons are at war, with humans on the sidelines. Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth.... (Full plot summary below)

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Autobots and Decepticons are at war, with humans on the sidelines. Optimus Prime is gone. The key to saving our future lies buried in the secrets of the past, in the hidden history of Transformers on Earth.

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Movie Reviews

The Telegraph - 8/10 by Robbie Collin If you’re not staggered by the technique on display here – the stuff that sets Bay’s work miles above the Fast & Furiouses, X-Men: Apocalypses and Tom Cruise-chasing Mummies of this world – you’re not paying attention.
New York Daily News - 8/10 by Ariel Scotti It’s been reported that this “Transformers” sequel had a $217 million budget. The special effects — especially in IMAX 3-D — on the screen make you believe it.
Variety - 6/10 by Owen Gleiberman For the first time, the messy hyperactive form and nihilistic crunched-metal content seem to reinforce each other.
Entertainment Weekly - 6/10 by Leah Greenblatt Monster metal, mass destruction, Anthony Hopkins saying “dude.” This is your brain on Michael Bay—a cortex scramble so amped on pyro and noise and brawling cyborgs it can only process what’s happening on screen in onomatopoeia: Clang! Pew-pew! Kablooey!
Time Out - 6/10 by Joshua Rothkopf Clangorous and nonsensical, the fifth installment of the toys-to-world-saviors franchise still has a spark of grandeur that could only come from one director.
The New Yorker - 5/10 by Richard Brody The absolute tastelessness of Bay’s images, their stultifying service to platitudes and to merchandise, doesn’t at all diminish their wildly imaginative power.
The New York Times - 5/10 by Neil Genzlinger The fifth Transformers movie, The Last Knight, is far from the worst in this continuing experiment in noisy nonsense based on Hasbro toys. That is thanks largely to two words: Anthony Hopkins.
Tampa Bay Times - 5/10 by Steve Persall It's the little pleasures in mediocre movies that mean a lot.
The Film Stage - 5/10 by Daniel Schindel This film’s sense of action geography and tactics is atrocious.
Indiewire - 5/10 by Eric Kohn It’s an unabashed freewheeling mess of CGI explosions, fast-talking strategies and shiny metal monstrosities clashing in epic battles. And it’s actually kind of fun, in an infuriating sort of way, to watch the most ridiculous Hollywood movie of the year do its thing.
The A.V. Club - 5/10 by Ignatiy Vishnevetsky The more striking moments of The Last Knight—this is an ostentatious Michael Bay movie, after all—speak just as loudly to its director’s indifference to both source material and visual scale.
Los Angeles Times - 5/10 by Justin Chang If the film’s trio of new screenwriters (replacing series mainstay Ehren Kruger) have seamlessly upheld the crass and juvenile “Transformers” sensibility, then Bay’s visual sensibility has, if anything, matured, to the point of demanding and earning your exasperated surrender.

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