Tower
Tower

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- 79/100 based on 8,186 votes

Nearly fifty years ago, a gunman rode the elevator to the twenty-seventh floor of the University of Texas Tower and opened fire. TOWER, an animated and action-packed documentary, shares the untold story of that day - when the worst in one man brought out the best in so many others.... (Full plot summary below)

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Full Plot Details

Nearly fifty years ago, a gunman rode the elevator to the twenty-seventh floor of the University of Texas Tower and opened fire. TOWER, an animated and action-packed documentary, shares the untold story of that day - when the worst in one man brought out the best in so many others.

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Movie Reviews

The List - 10/10 by Matthew TurnerThis is a remarkable and profoundly moving film with a desperately important message - for those reasons and more it demands to be seen.
Your Movies (cleveland.com) - 10/10 by John UrbancichKeith Maitland's use of real footage and animated characters, who turn into the real survivors of a troubled ex-Marine's barrage from the top of a University of Texas landmark, is as riveting as it gets.
Killer Movie Reviews - 10/10 by Andrea ChaseStrikingly elegiac, it recreates a time and place that can never be lived again on many levels, and does so with sensitivity and compassion.
Chicago Reader - 10/10 by J. R. JonesDespite the grim topic, Tower offers moments of genuine hope in the acts of bravery and kindness that took place during the siege.
Chicago Sun-Times - 10/10 by Richard RoeperKeith Maitland’s Tower is a stunningly powerful and gripping documentary.
San Francisco Chronicle - 10/10 by G. Allen JohnsonKeith Maitland’s powerful and emotional documentary Tower — easily one of the best films of the year — takes a novel approach for a nonfiction film: Animation.
Austin Chronicle - 10/10 by Marc SavlovDirector Keith Maitland’s film is one of the finest documentaries ever made, and it’s also one of the most unusual.
New York Magazine (Vulture) - 10/10 by David EdelsteinI love when non-fiction filmmakers stretch the form and attempt, with as much honesty as they can muster, to put us in the middle of the events they describe. They give us stunning hybrids like "Waltz With Bashir," "Persepolis," and, now, Tower.
Village Voice - 10/10 by Bilge EbiriThrough the recollections of witnesses and victims, the film simultaneously builds a present-tense narrative while portraying the terrifying resilience of memory and trauma.
The New Yorker - 10/10 by Richard BrodyThe animation, by Craig Staggs, has a notable imaginative specificity, and the meticulously complex interweaving of styles turns the film into a horrifying true-crime thriller that’s enriched by a rare depth of inner experience.

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