A collective cinematic love letter to the elusive French filmmaker Chris Marker, Emiko Omor's timely film captures the persona of a filmmaker who is at once both contradictorily present in and distant from his body of work. Notoriously private, self-described as the 'best known author of unknown works,' Marker is widely known for a few key cinematic works such as LA JETEE (1963) and SANS SOLEIL (1983), but his wider filmography remains undiscovered. Through interviews with Ma... (Full plot summary below)
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A collective cinematic love letter to the elusive French filmmaker Chris Marker, Emiko Omor's timely film captures the persona of a filmmaker who is at once both contradictorily present in and distant from his body of work. Notoriously private, self-described as the 'best known author of unknown works,' Marker is widely known for a few key cinematic works such as LA JETEE (1963) and SANS SOLEIL (1983), but his wider filmography remains undiscovered. Through interviews with Marker's colleagues and admirers, Omori lovingly describes a man whose preference for personal privacy has rendered him perhaps cinema's most famous enigma: a man who is his works. --Samuel B.
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