
Not far from the ancient Malian city of Timbuktu, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become sha... (Full plot summary below)
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Not far from the ancient Malian city of Timbuktu, proud cattle herder Kidane (Ibrahim Ahmed aka Pino) lives peacefully in the dunes with his wife Satima (Toulou Kiki), his daughter Toya (Layla Walet Mohamed), and Issan (Mehdi Ag Mohamed), their twelve-year-old shepherd. In town, the people suffer, powerless, from the regime of terror imposed by the Jihadists determined to control their faith. Music, laughter, cigarettes, even soccer have been banned. The women have become shadows but resist with dignity. Every day, the new improvised courts issue tragic and absurd sentences. Kidane and his family are being spared the chaos that prevails in Timbuktu. But their destiny changes abruptly.
Leave your thoughts about Timbuktu.
| Little White LiesDavid EhrlichA film that's guaranteed to resonate for years to come. |
| Observer (UK)Jonathan RomneyWhat makes it so unusually compelling as a protest film is that it's also a richly poetic work of cinema - witty, beautiful and even, sobering though it is, highly entertaining. |
| The Arts DeskEmma SimmondsThe imposition of a brutal jihadist regime is relayed with formidable articulacy and a surprising lightness of touch in this gut-wrenching drama from Mauritanian director Abderrahmane Sissako. |
| rec.arts.movies.reviewsLouis ProyectSuffers from a certain reductionism with respect to the jihadists but then again that is to be expected in an epoch when Islam is a dirty word almost universally. Could have been better but still worth seeing. |
| Slant MagazineChris CabinThe film's criticism isn't primarily rooted in satire, but rather in fury and condemnation for those who seek to be gods while shamefully feigning to follow and praise one god. |
| Chicago ReaderJ. R. JonesThe rebels are too flatly characterized for the religious conflict to deepen, and Sissako's other main story line, tracing a deadly feud between a fisherman and a cattle farmer, adds little to the movie's political thrust. |
| Movie MezzanineAmir SoltaniThrough the filmmaker's poetic vision and rich grasp of the milieu, Timbuktu becomes politically perceptive and emotionally authentic, depicting visceral trauma without hysterics and eye-opening truths without didacticism. |
| RogerEbert.comGlenn KennyA thoroughly remarkable and disquieting film from Mali’s Abderrahamane Sissako, Timbuktu is also a work of almost breathtaking visual beauty, but it manages to ravish the heart while dazzling the eye simultaneously, neither at the expense of the other. It’s a work of art that seems realized in an entirely organic way. |
| New York PostFarran Smith NehmeEach scene is breathtaking, such as a long shot of a river at a key moment, and an unforgettable soccer game played with no ball. Timbuktu deserves every accolade it gets. |
| Washington PostAnn HornadayIn providing audiences a chance to bear witness to unspeakable suffering as well as dazzling defiance and human dignity, Sissako has created a film that’s a privilege to watch. |