Third Person
Third Person

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Michael (Liam Neeson) is a Pulitzer Prize-winning fiction author who has holed himself up in a hotel suite in Paris to finish his latest book. He recently left his wife, Elaine (Kim Basinger), and is having a tempestuous affair with Anna (Olivia Wilde), an ambitious young journalist who wants to write and publish fiction. At the same time, Scott (Adrien Brody), a shady American businessman, is in Italy to steal designs from fashion houses. Hating everything Italian, Scott wan... (Full plot summary below)

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Full Plot Details

Michael (Liam Neeson) is a Pulitzer Prize-winning fiction author who has holed himself up in a hotel suite in Paris to finish his latest book. He recently left his wife, Elaine (Kim Basinger), and is having a tempestuous affair with Anna (Olivia Wilde), an ambitious young journalist who wants to write and publish fiction. At the same time, Scott (Adrien Brody), a shady American businessman, is in Italy to steal designs from fashion houses. Hating everything Italian, Scott wanders into the Café American" in search of something familiar to eat. There, he meets Monika (Moran Atias), a beautiful Roma woman, who is about to be reunited with her young daughter. When the money she has saved to pay her daughter's smuggler is stolen, Scott feels compelled to help. They take off together for a dangerous town in Southern Italy, where Scott starts to suspect that he is the patsy in an elaborate con game. Julia (Mila Kunis), an ex-soap opera actress, is caught in a custody battle for her 6 year-old son with her ex-husband Rick (James Franco), a famous New York artist. With her support cut off and her legal costs ruinous, Julia is reduced to working as a maid in the same upscale boutique hotel where she was once a frequent guest. Julia's lawyer Theresa (Maria Bello) has secured Julia one final chance to change the court's mind and be reunited with the child she loves. Rick's current girlfriend Sam (Loan Chabanol) is a compassionate onlooker.

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Movie Reviews

San Francisco Chronicle - 10/10 by Mick LaSalleThird Person is Paul Haggis' best movie, and the one he has been building toward for years.
Spirituality and Practice - 9/10 by Frederic and Mary Ann BrussatThree intimate dramas that test our beliefs and attitudes about trust.
One Guy's Opinion - 9/10 by Frank SwietekOne of those imperfect films that's nevertheless more intriguing than conventionally stronger but less challenging ones.
L.A. Biz - 9/10 by Annlee EllingsonJust as you're engrossed in one drama, you're whipped across the globe to another, and even with three plots at work, each plods at an excruciatingly slow pace.
AspectRatio.us - 8/10 by Matt KelemenHaggis is making a very personal artistic statement, and had break down any walls of hesitation or fear of critical acceptance in order to proceed. He may have lost perspective in the process.
ComingSoon.net - 8/10 by Edward DouglasThose looking for something closer to a European film than the dramas we normally get from American filmmakers, should appreciate the cinematic experience Haggis has created.
Oregonian - 8/10 by Jeff BakerI came away impressed at how Haggis made something original and real.
Arkansas Democrat-Gazette - 8/10 by Philip MartinAs taken as I was with the first three quarters of the movie, by the end I felt like throwing something at the screen. Or rather, at the tiny man behind the screen: Haggis, the great and terrible.
Variety - 7/10 by Peter DebrugeThough virtually every twist on this emotional roller coaster feels preordained by its architect, the director leaves certain mysteries for the audience to interpret, making for a more open-ended and mature work all around.
Seven Days - 7/10 by Rick Kisonak2014 is barely past its midpoint, but, my friends, we have a winner: Paul Haggis' latest is a lock for worst movie of the year. It's a crashing bore with the tagline "Watch Me." Don't.

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Third Person