Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 frames of a flip book when he died in an accident. Using the remaining blank sheets, his father continued drawing the film. "Oskar never showed me his drawings in detail because he did not want to showcase an unfinished film. At first, I had no idea whatsoever how the story should continue, and the beginning was very difficult for me. I practiced Oskar's stroke for a long... (Full plot summary below)
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Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 frames of a flip book when he died in an accident. Using the remaining blank sheets, his father continued drawing the film. "Oskar never showed me his drawings in detail because he did not want to showcase an unfinished film. At first, I had no idea whatsoever how the story should continue, and the beginning was very difficult for me. I practiced Oskar's stroke for a long time for fear of doing something wrong, but that's what definitely would have made my style be different from his, because he wasn't afraid at all. Oskar conceived his project as a flip book and not necessarily as a film, but his stack would have been far too thick to flip through evenly. In the end, I would have suggested to him that we photograph his drawings and then turn them into an animated film with sound. I am sure he would have liked this format very much and it being screened in the cinema.
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