
In a rural Appalachian community haunted by the legacy of a Civil War massacre, a rebellious young man struggles to escape the violence that would bind him to the past.... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
Links compiled using automated software. Availability of offers subject to change / might be region specific / out of date.
In a rural Appalachian community haunted by the legacy of a Civil War massacre, a rebellious young man struggles to escape the violence that would bind him to the past.
Leave your thoughts about The World Made Straight.
| Movie ChambersPaul ChambersYes, this is one of those low-budget gems you're always hearing about. Sub-par production values, certainly. But an intriguing story with excellent acting. |
| FILMINK (Australia)Charles MartinThe film's story is a simple one, which makes its two-hour running time absolutely confounding. |
| Film Journal InternationalFrank Lovece[The World Made Straight has] unerringly true performances and an almost documentary grasp of life in 1970s Appalachia. |
| San Francisco ChronicleMick LaSalleJeremy Irvine is the sympathetic focus, but it’s Noah Wyle who holds the movie together, as a former teacher who lost his job through a malicious student’s prank. Smart, self-possessed and capable, this fellow nonetheless carries himself with an awareness of some underlying guilt. |
| Movie NationRoger MooreIt’s a slow film, and almost painfully melodramatic in its obvious twists and turns. But the performances are finely tuned, and the story arc and situations — aside from a few pauses for a song — quietly gripping. |
| New York PostKyle SmithThough the film, based on a Ron Rash novel, doesn’t quite deliver on all its grim portents, debut director David Burris creates a neo-Faulknerian atmosphere of indelible sin in a story that rises above cliché. As Wyle’s character puts it, “The South was never one thing.” |
| RogerEbert.comMatt Zoller SeitzThe movie never entirely rises to the height of its ambitions, though: there are moments when you can practically hear it straining to impart significance to what is, in the end, a fairly standard sensitive-young-criminal-in-over-his-head story. |
| Village VoiceMichael NordineOn-the-nose monologues on the cyclical nature of centuries-old blood feuds ultimately feel more like stuffy lectures than living history; ditto the film as a whole. |
| Hollywood ReporterFrank ScheckThe film's saving grace is its fine performances. |
| Los Angeles TimesSheri LindenThe movie finally feels more manufactured than organic, a travelogue of portent, complete with plangent guitars and peopled by characters from the backwoods playbook. |