The White Countess
The White Countess

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- 65/100 based on 6,839 votes

Shanghai. 1936. Crossroads of the world and into this city of political intrigue comes Sofia, a Russian Countess who, with the remains of her family, has been left stateless by the Revolution. Forced by her reduced circumstances to support herself and her family as a bar-girl and taxi dancer, Sofia forms a relationship with Jackson, a blind former diplomat who opens an elegant bar; The White Countess. Their curious relationship matures but they are caught up in the fall of th... (Full plot summary below)

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Full Plot Details

Shanghai. 1936. Crossroads of the world and into this city of political intrigue comes Sofia, a Russian Countess who, with the remains of her family, has been left stateless by the Revolution. Forced by her reduced circumstances to support herself and her family as a bar-girl and taxi dancer, Sofia forms a relationship with Jackson, a blind former diplomat who opens an elegant bar; The White Countess. Their curious relationship matures but they are caught up in the fall of the city to the Japanese invaders.

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Movie Reviews

Rochester Democrat and Chronicle - 9/10 by Jack GarnerMerchant Ivory places its final, famous imprimatur on a worthy film.
Salt Lake Tribune - 9/10 by Sean P. MeansA little too emotionally repressed to suit its melodrama -- imagine Casablanca with Paul Henried miscast in the Bogart role.
Urban Cinefile - 9/10 by Urban Cinefile CriticsJames Ivory has cast Britain's acting aristocracy to play post-Revolution Russian aristocracy, which brings much gravitas and many subtle performance highs to this drawn out story set in 1936/7 Shanghai.
culturevulture.net - 9/10 by Les WrightMerchant and Ivory paint a large, brilliant, detailed canvas.
Arizona Republic - 9/10 by Richard NilsenThe White Countess, although it has its share of Masterpiece Theatre moments, is another film to remind us just how cosmopolitan is the Merchant-Ivory filmography.
Orlando Sentinel - 9/10 by Roger MooreIt's a pretty journey, even if it is far too talky and emotionally distant to really work.
USA Today - 8/10 by Claudia PuigThe film takes a long time to unfold, and some scenes feel inert. But ultimately, the conclusion is moving and satisfying.
One Guy's Opinion - 8/10 by Frank SwietekA high-minded, elegantly-mounted and starrily-cast but dramatically inert and emotionally desiccated snoozer.
Chicago Sun-Times - 8/10 by Roger EbertFiennes and Richardson make this film work with the quiet strangeness of their performances; if they insist on their eccentricities, it's because they've paid them off and own them outright.
New York Post - 8/10 by Lou LumenickFollowing his triumphs in "The Constant Gardener" and "Harry Potter and the Goblet of Fire," Fiennes is superb as Todd.

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The White Countess