Pippa and Thomas move into their dream apartment, they notice that their windows look directly into the apartment opposite - inviting them to witness the volatile relationship of the attractive couple across the street. But when they attempt to anonymously intercede in their lives, they unwittingly set in motion a chain of events that will lead to disaster.... (Full plot summary below)
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Pippa and Thomas move into their dream apartment, they notice that their windows look directly into the apartment opposite - inviting them to witness the volatile relationship of the attractive couple across the street. But when they attempt to anonymously intercede in their lives, they unwittingly set in motion a chain of events that will lead to disaster.
Leave your thoughts about The Voyeurs.
| Screen RantFerdosa AbdiIn The Voyeurs, writer-director Michael Mohan takes all the lessons of the truly wild erotic thrillers of the 1990s and brings them into the modern age. With a dose of Alfred Hitchcock’s Rear Window and Brian De Palma’s Body Double, The Voyeurs perfectly captures all there is to love about the genre. |
| RogerEbert.comNick AllenThe Voyeurs craves to be the most salacious, outrageous non-pornographic movie you stream this weekend, and that itself is enticing. But it becomes a nice bonus that while giving you some gratuitous page-turning thrills, Mohan also juggles art, sex, and death, and dares to go more than skin-deep. |
| The GuardianCharles BramescoMohan handles his audience with care, diligence, attentiveness, creativity, smoldering passion – the mind positively swims with sexual metaphors. That’s the headspace in which this film leaves us: a well-made gutter we haven’t had the chance to visit for far too long. |
| Slant MagazineMark HansonIt’s hard to deny that Michael Mohan’s preposterous fable doesn’t exert the dark pull of voyeurism itself. |
| The PlaylistLauren J. CoatesFrom the stiff leading performances to the clunky, pretentious dialogue, The Voyeurs often feels like an amateur outing, but there’s also genuine wit in the film’s visual storytelling (particularly a number of clever match cuts), and an unpredictable enough payoff in the third act that it makes for a fresh, memorable viewing experience. |
| San Francisco ChronicleG. Allen JohnsonOne wonders how a master of truly twisted movies — say, a David Lynch or a Brian De Palma — would have approached “The Voyeurs.” One suspects they would have a bit more fun and taken us further down the moral rabbit hole. And the sex would have been better too. |
| Chicago Sun-TimesRichard RoeperBy the time we reach the insanely dubious final twist of The Voyeurs, we’d rather just look the other way. |
| VarietyNick SchagerWriter-director Michael Mohan’s film plays like rehashed leftovers cooked up for young viewers who’ve never seen any of its superior inspirations. |
| New York PostJohnny OleksinskiWriter-director Michael Mohan’s “drama” tries to be a modern Rear Window (emphasis on “rear”), but Hitchcock it ain’t. The Voyeurs is a cheap, never-ending trifle that takes itself more seriously than Hamlet. |
| User ReviewSlackerjoshThis is a good movie with plot twists, some predictable, some less, that inch this moves towards great. Sex scenes are fun, plot has some flaws. Characters and acting are a bit half baked. So yes, less than great, but interesting, compelling. In all, I enjoyed and recommended this movie to friends. |
