When Sheriff Deputy Carter (Aaron Poole) discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a barebones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.... (Full plot summary below)
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When Sheriff Deputy Carter (Aaron Poole) discovers a blood-soaked man limping down a deserted road, he rushes him to a local hospital with a barebones, night shift staff. As cloaked, cult-like figures surround the building, the patients and staff inside start to turn ravenously insane. Trying to protect the survivors, Carter leads them into the depths of the hospital where they discover a gateway to immense evil.
Leave your thoughts about The Void.
| Time Out LondonTom HuddlestonFor lovers of old-fashioned horror, this is your bloody Christmas. |
| The Film StageJared MobarakIts style is audacious, its plot minimalist, and its future full of potential. |
| The Hollywood ReporterJohn DeForeThe result should find admirers among the fanboy crowd, raising the stakes for the team's next feature, even if it has little crossover potential. |
| Village VoiceLuke Y. ThompsonThe twisty story and imaginative monsters are enough to overcome the relatively humdrum leads. |
| Los Angeles TimesNoel MurrayFew horror fans will complain about a movie that’s so generous with well-constructed, energetically staged set pieces featuring elaborate makeup effects and plenty of nondigital goo. The Void is derivative, but delightful. |
| Screen InternationalKim NewmanIt is, however, creepy, suspenseful and nerve-wracking - and marks Gillespie and Kostanski as genre auteurs in the making. |
| Total FilmJamie GrahamBlending The Thing, Prince of Darkness, Hellraiser and Lovecraftian cosmic horror, this falls flat in suspense and characterisation, but ace ’80s FX – all liquefying latex – will delight genre fans. |
| Arizona RepublicBill GoodykoontzThe Void is a horror film that goes off the rails — not by accident, but on purpose. And not just a little. It’s gloriously off the rails, unhinged, absolutely bonkers. |
| VarietyDennis HarveyAt least its failings aren’t formulaic ones — or perhaps they’re the fault of jamming in more fantastic-cinema formula than one modestly scaled film can support. |
| We Got This CoveredMatt DonatoThe Void is a portal back to the 80s, hinged on immersive practical effects work that picks up the slack of a slighter story. |
