
Two students from neighboring colleges in upstate New York are swept up in a tragic romantic interlude calling for a maturity of vision beyond their experience of capabilities. Pookie Adams, a kooky, lonely misfit with no family and no place to go, insists on calling all those who won't participate in her world "weirdos." She clings to Jerry, a quiet, studious fellow who has the ability to choose to live in Pookie's private little world or be accepted by the society that she ... (Full plot summary below)
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Two students from neighboring colleges in upstate New York are swept up in a tragic romantic interlude calling for a maturity of vision beyond their experience of capabilities. Pookie Adams, a kooky, lonely misfit with no family and no place to go, insists on calling all those who won't participate in her world "weirdos." She clings to Jerry, a quiet, studious fellow who has the ability to choose to live in Pookie's private little world or be accepted by the society that she rejects. Unwittingly, it is through their awkward relationship that Pookie actually prepares Jerry for the world of "weirdos" into which she neither fits nor wishes to fit.
Leave your thoughts about The Sterile Cuckoo.
| Chicago Sun-TimesRoger EbertThe Sterile Cuckoo is not as good as it should have been because it lacks consistency of tone. But parts of it are awfully good, and Miss Minnelli is one hell of an actress. |
| Slant MagazineJaime N. ChristleyAlan J. Pakula’s directorial debut takes a done-to-death story template and revitalizes it with intelligence, maturity, and tenderness. |
| Chicago ReaderDon DrukerDirector Alan J. Pakula’s first effort is so technically imprecise and understated that it has a kind of wistful charm—as if Wendell Burton, who plays the superstraight, mild-mannered preppie to Liza Minnelli’s sad, quizzical, freaked-out emotional loser, had directed and written it himself. |
| The GuardianPeter BradshawAn interesting feature, almost a B-side to The Graduate in its way, without the predatory older characters. |
| The New York TimesVincent CanbyQuite clearly, Pookie Adams is a marvelous role, full of tough-sweet humor, and Liza Minnelli, the daughter of Vincente Minnelli and the late Judy Garland, turns it into one of the most appealing performances of the season, a triumph limited only by the squashy movie that encases it. |