The Road
The Road

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- 72/100 based on 247,788 votes

It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son th... (Full plot summary below)

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Full Plot Details

It's a post-apocalyptic world, several years after whatever the cataclysmic event, which has in turn caused frequent quakes as further potential hazards. The world is gray and getting quickly grayer as more and more things die off. A man and his pre-teen son, who was born after the apocalypse, are currently on the road, their plan to walk to the coast and head south where the man hopes there will be a more hospitable environment in which to live. The man has taught his son that they are the "good people" who have fire in their hearts, which in combination largely means that they will not resort to cannibalism to survive. The man owns a pistol with two bullets remaining, which he will use for murder/suicide of him and his son if he feels that that is a better fate for them than life in the alternative. Food and fuel are for what everyone is looking. The man has taught his son to be suspect of everyone that they may meet, these strangers who, out of desperation, may not only try to steal what they have managed to scavenge for their own survival, but may kill them as food. Although life with his father in this world is all the boy has known, he may come to his own thoughts as to what it means holistically to be one of the good or one of the bad. Meanwhile, the man occasionally has thoughts to happier times with his wife/the boy's mother before the apocalypse, as well as not as happy times with her after the apocalypse and the reason she is no longer with them.

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Movie Reviews

USA Today - 9/10 by Claudia PuigWhile the film is not as resonant as the novel, it is an honorable adaptation, capturing the essence of the bond between father and son.
Chicago Sun-Times - 9/10 by Roger EbertThe Road evokes the images and the characters of Cormac McCarthy's novel. It is powerful, but for me lacks the same core of emotional feeling.
Rolling Stone - 9/10 by Peter TraversIn this haunting portrait of America as no country for old men or young, Hillcoat -- through the artistry of Mortensen and Smit-McPhee -- carries the fire of our shared humanity and lets it burn bright and true.
New York Daily News - 8/10 by Joe NeumaierIntense and, yes, depressing - and earns every minute that it rattles inside your head.
Premiere - 8/10 by Mark SalisburyThis might just be a tad too grueling and bleak for everyone’s liking, but it’s a Road that’s definitely well worth traveling.
Empire - 8/10 by Dan JolinOne of the most chillingly effective visions of the world’s end ever put on screen -- and a heart-rending study of parenthood, to boot.
Wall Street Journal - 8/10 by Joe MorgensternBetween the two performances there's not a false note. Between the father and son there's an unbreakable bond. Though civilization has ended, love and parental duty shape the course of this fable, which is otherwise as heartwarming as a Beckett play shorn of humor.
Time Out - 8/10 by Joshua RothkopfAnd then, Robert Duvall appears—or, should I say, insinuates himself out of the muck. Cagily, his character wends his way into the story, played by the one American actor who might best understand the limits of bluster. “It’s foolish to ask for luxuries in times like these,” he mutters in the Duvall twang, the weather and indignity beaten into him, and The Road suddenly feels major.
Portland Oregonian - 8/10 by Shawn LevyThe Road walks a tremendously daring and delicate line between inspiration and horror, and it does so not only in the events it depicts but in its very air and atmosphere. It was unforgettable on the page, and it impresses equally, or at least it does so remarkably often, on screen.
Film Threat - 8/10 by Elias SavadaIt is compellingly enervating and a marvel in the filmmaking process.

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The Road