With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a fun-house mirror up to our values and our times -- where everything can be bought and sold.... (Full plot summary below)
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With unprecedented access to pivotal artists and the white-hot market surrounding them, this film dives deep into the contemporary art world, holding a fun-house mirror up to our values and our times -- where everything can be bought and sold.
Leave your thoughts about The Price of Everything.
| The New York Review of BooksSusan TallmanThe Price of Everything develops no particular argument, posits no solutions, uncovers no scandals. It isn't a polemic, it's a portrait, and in its mix of the grotesque and the earnest, a pragmatic and recognizable one. |
| Hammer to NailChristopher Llewellyn ReedAs collector Stefan Edlis comments ... the folks who collect art 'know the price of everything and the value of nothing.' |
| CineVueMaximilian Von ThunNathaniel Kahn’s The Price of Everything certainly doesn’t hold back in its skewering of a contemporary art world defined far more by financial gain and status seeking than a genuine love of beauty. |
| The Arts DeskSarah KentWhat an intelligent and cleverly structured film this is. |
| VarietyOwen GleibermanThe Price of Everything exalts in the spirt of art over commerce, yet what’s thrilling about the film — and what echoes in your mind after it’s over — is that it captures all the ways those two forces can’t be separated. |
| Gay City NewsSteve EricksonThis film respects the potential for beauty and social reflection contained in art. |
| Film ThreatLorry KiktaIf you are a devotee of the arts, an artist, or just a fan of good documentary filmmaking, check out The Price of Everything as soon as you can. |
| The A.V. ClubAllison ShoemakerThe master stroke of The Price Of Everything is that it asks the viewer, in Cappellazzo’s words, to see the intricacies of the art world and the way those two seemingly oppositional forces — the financial side and the creative side — are inextricably intertwined. |
| The Pop BreakMarisa CarpicoFrom auctioneers to historians and buyers, the breadth of people whom Kahn interviews is incredible. |
| Philadelphia Daily NewsGary ThompsonKahn surveys artists, dealers, auctioneers, and gallery operators to provide a synopsis of the New York art world, and is at its most interesting when profiling artists who represent differing attitudes toward the way money affects their work. |
