
Twelve-year-old Helena Lee (debut performance by Moriah Blonna) sleeps in the sandy closet of a one room apartment in an unkempt corner of California's Venice Beach. Her father, charismatic surf-rat Mickey (Tom Dunne), spurs her journey as an aspiring writer with his iconoclastic absurdist view of the world. Helena conducts a season to season pilgrimage in and around the carnival of beach life; observing the bohemian locals, the hopeful tourists, the lost and forgotten who ha... (Full plot summary below)
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Twelve-year-old Helena Lee (debut performance by Moriah Blonna) sleeps in the sandy closet of a one room apartment in an unkempt corner of California's Venice Beach. Her father, charismatic surf-rat Mickey (Tom Dunne), spurs her journey as an aspiring writer with his iconoclastic absurdist view of the world. Helena conducts a season to season pilgrimage in and around the carnival of beach life; observing the bohemian locals, the hopeful tourists, the lost and forgotten who have reached the end of the map. Helena's observations lead to an introspective spiritual and intellectual wanderlust often leaving her standing at the water's edge, facing the void, a head and heart full of unanswerable questions; how shall I to live? why did my mother die? At the cusp of adolescence, her view of what it means to become a woman is torn between the opposing influences of the free spirited strippers who flock around Mickey and the sacred memory of her mother Luisa (singer/songwriter, Maria McKee). Forever preserved in Helena's wakeful dream, the vision of her mother is a saintly protector who haunts with calming advice and compassionate lullabies. As winter approaches and the sea and sky begin to darken, Helena's quest to find her identity is hastened and forever impacted by a life-altering event.
Leave your thoughts about The Ocean of Helena Lee.
| RogerEbert.comPeter SobczynskiOne of the more unique, evocative and deeply felt coming-of-age films to come along in quite some time. |
| VarietyDennis HarveyThis plotless reverie is easy to admire texturally, including an original soundtrack composed with the helmer’s spouse, singer-songwriter Maria McKee. But despite those virtues, and the pic’s determinedly idiosyncratic take on autobiographically inspired material, most viewers will find the script’s narrative shapelessness and pretentiously poetic dialogue hard to take. |
| Los Angeles TimesRobert AbeleUnless you're on this spiritually noodling movie's wavelength — an easier proposition when the great McKee is singing (she wrote the music with Akin) — this is narratively thin, tone-poem stuff |