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Leave your thoughts about The Nun II.
| San Francisco ChronicleG. Allen JohnsonThe Nun II has some interesting ideas and some thrilling sequences. |
| ColliderSamantha ColeyWith its tight script, well-balanced characters, and bone-chilling scares, The Nun II is the first Conjuring spinoff operating at the same caliber as the franchise's core films, proving that this universe is far from played out. |
| IndieWireAlison ForemanIf The Conjuring Universe is a horror force you want to believe in again, then The Nun II will bring you back to the faith. |
| IGNTom JorgensenThe Nun II is a marked improvement on its predecessor, as the winning duo of Taissa Farmiga and Jonas Bloquet reward the faith of Conjuring fans with a scarier, meatier boarding school nightmare that makes great use of Valak the Demon Nun, even if the mythology-heavy plot specifics get a little lost along the way. |
| CNNBrian LowryThe Nun II doesn’t trifle with the formula, which relies heavily on jump-out-at-you scares, vivid nightmares and spooky spectral visions. |
| SlashfilmJeremy MathaiOne can't help but wonder how both "The Nun" movies might've played out as original scripts without any shackles to pre-established lore ... but, at the same time, one would have to assume that neither film would even exist without those connections in the first place. |
| VarietyDennis HarveyIn some respects an improvement on its predecessor, in others not, this is finally one more good-enough if unmemorable entry sure to extend the series’ life in lucrative fashion. |
| The IndependentClarisse LoughreyThe Nun II, unlike Malignant or M3GAN, is unfortunately tethered to seven previous films of demonic activity, and suffers for it. There are too many established rules to follow. You can almost feel the film squirming around in those restraints, trying its best to claw at something new without violating any preexisting evil nun lore. |
| EmpireBen TravisThe result is a middle-of-the-table Conjuring universe film — one unlikely to make a dent in horror history, but well-constructed, with moments of inventive imagery, and that continues to cement Akela Cooper as a writer with a clear eye for freaky fun. |
| The TelegraphTim RobeyNotching up his third entry in what I suppose we’re meant to call the CCU, Michael Chaves looks alive, as often, with the set pieces. |
