The Nowhere Inn
The Nowhere Inn

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- 57/100 based on 1,393 votes

St. Vincent sets out to make a documentary about her music, but when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.... (Full plot summary below)

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Full Plot Details

St. Vincent sets out to make a documentary about her music, but when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.

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Movie Reviews

Austin Chronicle - 8/10 by Jenny NulfWhile St. Vincent’s The Nowhere Inn is not the standard performative music documentary, it opens a window to her soul that many are never able to give away so freely in front of the camera.
IndieWire - 8/10 by Eric KohnAt times a bit too enamored of these loose conceits, The Nowhere Inn sometimes registers as a cheap fuck-with-the-audience provocation that might have been better suited for a viral short (or several), but at its finest moments the movie conjures a singular vision steeped in zaniness, but not devoid of purpose.
Little White Lies - 8/10 by Emily MaskellThe Nowhere Inn is fan service in the most St Vincent of ways: solidifying her mysterious image as a queer women’s deity, baring everything and revealing nothing at all.
The Film Stage - 8/10 by John FinkDirector Bill Benz (best known for episodes of Portlandia), Clark, and Brownstein have a good deal of fun playing the business side of show business—the documentary filmmaker trying to find a unique angle between concert footage, or the star having to take mundane questions from the press in each city she visits on tour. It both documents an identify crisis and doesn’t.
Los Angeles Times - 7/10 by Katie WalshLayered storytelling that tests the limits of the screen and the fourth wall allows for Clark and Brownstein to play at playing themselves, making for a sharp, comedic commentary on the way fame complicates identity.
The A.V. Club - 7/10 by Alex McLevyNever consistently funny enough to work as straight comedy and too broad to succeed in its somber aspirations, the results are still engaging in their attempts to defy easy categorization. Like St. Vincent herself, The Nowhere Inn keeps morphing into something else.
Slashfilm - 7/10 by Chris EvangelistaThe film, directed by Portlandia helmer Bill Benz, is too much of a hodge-podge for its own good.
The Playlist - 7/10 by Jessica KiangOutside its value as a cautionary tale about introducing a power dynamic into a friendship between former equals, there’s an emptiness at the heart of The Nowhere Inn which might be part of the point (ah, the vacuity of celebrity! the hollowness of fame!) but the observation of emptiness is not the same as actual substance.
Film Threat - 7/10 by Lorry KiktaThe Nowhere Inn deeply explores the dynamic between performer and audience and performer with self. It does so in a way I’ve never seen before. It has so many layers that at some point, you get lost in the thick of it, but in a good way.
The Hollywood Reporter - 7/10 by Leslie FelperinThe Nowhere Inn is simultaneously satire and fan service, frothy fun and pretentious nonsense, depending on what the viewer wants it to be.

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