Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".... (Full plot summary below)
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Luke is a gay hustler. Jon is a movie critic. Both are HIV positive. They go on a hedonistic, dangerous journey, their motto "Fuck the world".
Leave your thoughts about The Living End.
| San Francisco ChronicleDavid WiegandYou can view the film narrowly as commentary on the soul-crushing fury of being HIV positive, or take a few steps back and see Araki's film in a more universal sense as the disintegration of human values caused by an obsessive culturewide drive for self-satisfaction and indifference to others. The Living End is much more than a time capsule, thanks to Araki's daring as a filmmaker. |
| The Seattle TimesJohn HartlEmotionally urgent, The Living End excites you about the state of independent filmmaking; it's a road movie that leaves a skid mark on the psyche. |
| Rolling StonePeter TraversAraki gives his hypnotic film a raw intensity heightened by a surreal landscape and a jagged score from the likes of Braindead Sound Machine, KMFDM and Coil. |
| EmanuelLevy.ComEmanuel LevySelf described by its director as "my most desperate movie," this road movie about two HIV-positive runaways and imposible love in th face of death, put Gregg Araki at the forefront of indie directors. |
| Los Angeles TimesKevin ThomasAs a portrait of late-millennial nihilism, The Living End rejects the sympathetic bent of every afflicted-by-AIDS portrayal before or since. |
| The New York TimesJanet MaslinDoing himself a great disservice, the writer and director Gregg Araki labels his work "an irresponsible movie" when in fact it has the power of honesty and originality, as well as the weight of legitimate frustration. Miraculously, it also has a buoyant, mischievous spirit that transcends any hint of gloom. |
| Hartford CourantMalcolm JohnsonUnfortunately, like so many Warhol films, The Living End ultimately becomes tedious and self-indulgent. |
| Chicago Sun-TimesErnest TuckerThe Living End is not a movie even vaguely interested in attracting a wide public. It's a movie meant to please its own niche audience, and at that it seems likely to succeed. |
| Denver PostLisa KennedyIt is visually vibrant (in a wonderful on-the- cheap kind of way). But its insightful fury is undercut by thrashes of immaturity. It's engaged with culture and angry at it. |
| Washington PostRita KempleyCrudely made and in your face, The Living End is mostly annoying. |
