
The story begins with Spanky, who is the president of the "He-Man Woman Haters Club" with many school-aged boys from around the neighborhood as members. His best friend, Alfalfa, has been chosen as the driver for the club's prize-winning go-kart, called "The Blur", in the annual Soap Box Derby style race. However, when the announcement is made, Alfalfa is nowhere to be found. The boys catch Alfalfa in the company of Darla -- "a girl!" Alfalfa isn't like his friends because he... (Full plot summary below)
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The story begins with Spanky, who is the president of the "He-Man Woman Haters Club" with many school-aged boys from around the neighborhood as members. His best friend, Alfalfa, has been chosen as the driver for the club's prize-winning go-kart, called "The Blur", in the annual Soap Box Derby style race. However, when the announcement is made, Alfalfa is nowhere to be found. The boys catch Alfalfa in the company of Darla -- "a girl!" Alfalfa isn't like his friends because he's in love with Darla, and unfortunately threatens the very existence of their "boys only" club. The club's members try their hardest to break the two apart, eventually causing their beloved clubhouse to burn down. Darla is mistakenly led to believe Alfalfa feels ashamed of her, so she turns her attentions to Waldo, the new rich kid whose father is an oil tycoon. Further trouble ensures when their prized go-cart "The Blur" is stolen by local neighborhood bullies Butch and Woim. How can they win the big race and its prize trophy?! In addition to having to rebuild the clubhouse, the boys now need a new set of wheels. They band together to build "Blur 2: The Sequel." Prior to race day, Spanky and Alfalfa reconcile and decide to ride in the two-seat go-kart together.
Leave your thoughts about The Little Rascals.
| Tampa Bay TimesSteve PersallAdults can enjoy the way these youngsters spout grown-up chatter and all ages can delight in the old-fashioned slapstick. I won't claim this film's great, but it is fun, and remarkably innocent and playful. |
| Blu-ray.comBrian OrndorfSpheeris appears caught between her desire to make a film for little children and amuse their parents, resulting in a mess that will do anything for a cheap laugh. |
| Journal and Courier (Lafayette, IN)Bob BloomA travesty; not worthy of the original shorts. |
| Miami HeraldRene RodriguezThe Little Rascals is such an emphatically well-shaped, well-crafted picture that you wish you could have enjoyed it more than you did. |
| Washington PostDesson ThomsonThis attempt to reproduce the old series still feels stilted -- a see-through marketing impulse more than a creative venture. |
| VarietyBrian LowryThose who grew up watching The Little Rascals may well be intrigued by the idea of introducing their kids to this full-color, bigscreen version. Still, the challenge of stretching those mildly diverting shorts to feature length remains formidable, and one has to wonder whether an audience exists beyond nostalgic parents and their young children. |
| Boston GlobeJay CarrThe main trouble is that The Little Rascals is caught in a time warp, lost between the ingenuous ragamuffins of the early talkies and the more willfully streetwise children of today. So even working the title into the screenplay becomes a strain. |
| Washington PostRita KempleyBoth director and co-writer of Rascals redux, Spheeris coaxes artless performances from the picture's engaging ensemble of half-pint players. |
| St. Louis Post-DispatchEllen FuttermanA dismal kids' comedy in which all creativity stopped after casting lookalikes for the old rascals was completed. |
| Chicago TribuneMichael WilmingtonThe Little Rascals is a nice-looking movie-shot in a nostalgic childhood haze by Richard Bowen-but watching it is almost numbing. It's the kind of empty gaudy show the misfit characters in Spheeris' good comedies might waste their time with. |