The Last Waltz
The Last Waltz

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- 81/100 based on 19,027 votes

Thanksgiving, 1976, San Francisco's Winterland: the Band performs its last concert after 16 years on the road. Some numbers they do alone, some songs include guest artists from Ronnie Hawkins (their first boss, when they were the Hawks) to Bob Dylan (their last, when as his backup and as a solo group, they came into their own). Scorsese's camera explores the interactions onstage in the making of music. Offstage, he interviews the Band's five members, focusing on the nature of... (Full plot summary below)

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Full Plot Details

Thanksgiving, 1976, San Francisco's Winterland: the Band performs its last concert after 16 years on the road. Some numbers they do alone, some songs include guest artists from Ronnie Hawkins (their first boss, when they were the Hawks) to Bob Dylan (their last, when as his backup and as a solo group, they came into their own). Scorsese's camera explores the interactions onstage in the making of music. Offstage, he interviews the Band's five members, focusing on the nature of life on the road. The friendships, the harmonies, the hijinks, and the wear and tear add up to a last waltz.

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Movie Reviews

Hollywood.com - 10/10 by Betsy BozdechOutstanding '70s concert docu has smoking, drinking.
Common Sense Media - 10/10 by Renee SchonfeldOutstanding '70s concert docu has smoking, drinking.
eFilmCritic.com - 10/10 by Rob GonsalvesThe filmmaking is superbly controlled yet spontaneously alive.
Washington Post - 10/10 by Kenneth TuranThe Band's music has such intrinsic strength and resilience that it can't help but break through those self-imposed barriers and set itself and the audience free.
Lawrence Journal-World - 10/10 by Jon NiccumThe rock documentary by which all others are measured
Village Voice - 10/10 by Josh GoldfeinMartin Scorsese's The Last Waltz proves Andrew's point by gathering so much talent into one theater that the stage buckles and the subject drops out of sight.
New York Magazine/Vulture - 10/10 by Peter RainerNo other concert film has ever expressed so fervently the erotic root of rock. Seeing it is the opposite of taking a trip down memory lane; it's more like a plunge into the belly of the beast.
Washington Post - 10/10 by Richard HarringtonIs "The Last Waltz" the greatest rock movie of all time? It makes its case persuasively in a restoration overseen by director Martin Scorsese and producer Robbie Robertson that's been released to celebrate the 25th anniversary of the concert it made famous.
The New York Times - 10/10 by A.O. ScottThere are few concert movies that were filmed were such abiding feeling and respect. It's of a potent vintage that goes down deceptively smoother with age.
Movie Metropolis - 10/10 by John J. Puccio...no mere loud rock concert. It's a work of art. ...a celebration rather than a farewell, and Scorsese's direction always puts the music first.

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The Last Waltz