A film by Bernard Rose, based on the novel by Leo Tolstoy with music by Ludwig Van Beethoven. Edgar Hudson meets Abby, a concert pianist, at a dinner party. Abby is involved with someone else but that doesn't stop the two from acting upon their strong attraction to one another. They start to sneak around but it's not long before they realize they should be together. Soon after Abby breaks up with her boyfriend, she becomes pregnant with Edgar's child - something that was not ... (Full plot summary below)
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A film by Bernard Rose, based on the novel by Leo Tolstoy with music by Ludwig Van Beethoven. Edgar Hudson meets Abby, a concert pianist, at a dinner party. Abby is involved with someone else but that doesn't stop the two from acting upon their strong attraction to one another. They start to sneak around but it's not long before they realize they should be together. Soon after Abby breaks up with her boyfriend, she becomes pregnant with Edgar's child - something that was not planned. Flash forward four years. Abby is now Mrs. Edgar Hudson, a resident of Beverly Hills and the mother of two children. In turn, Edgar is now the man who has everything; vast wealth, a gorgeous wife and two beautiful children. Unfortunately, the significant changes in Abby's life have made being a pianist, her true passion, a distant memory thus making her restless and unfulfilled. Her unhappiness is all too apparent, but instead of talking about it, Edgar chooses to ignore it. Edgar tries to cheer Abby up by suggesting she perform again at a charity benefit he is holding to aid children from Sierra Leone. Edgar introduces her to Aiden, a talented and attractive young violinist suggesting they play together. Abby and Aiden decide to play Beethoven's piano/violin duet, the "Kreutzer Sonata". It never occurred to Edgar that a simple suggestion would lead to hours and hours of his wife practising alone with Aiden. Edgar becomes convinced that they are having an affair - his only evidence, the music they make together. When he confronts Abby she denies it. This, of course, only intensifies Edgar's suspicions and it is not long before the "Kreutzer" sonata begins to drive Edgar into a terrifying state of morbid jealousy. One day, Edgar receives a call from his sister, Elinore. She'd like for him to come to San Francisco to discuss problems revolving around his handling of the family's foundation. Upon his arrival, Elinore comments on how much he's changed mentally and physically. She encourages him to talk to someone, but the suggestion falls on deaf ears - Edgar is too wracked with thoughts of Abby and Aiden taking advantage of his absence. An increasingly obsessed Edgar hurries back home while struggling against an uncontrollable rage.
Leave your thoughts about The Kreutzer Sonata.
| Daily Telegraph (UK)Tim RobeyIt's a model of low-budget candour and bite. |
| Shadows on the WallRich ClineA gripping, Hitchcockian marital thriller with the added value of a score by Ludvig van Beethoven himself |
| Observer (UK)Philip FrenchIt's consistently and coldly erotic, and omits Tolstoy's cranky ideas on marriage and sexual abstinence without putting anything comparable in their place. |
| Times (UK)Wendy IdeThe occasionally rough hand-held camerawork and the non-linear structure add to the sense of nervous tension that vibrates in the film like a static charge. |
| Little White LiesJonas MilkShocking as the ending is, it's fudged, too. |
| News of the WorldRobbie CollinIt's actually pretty watchable thanks to a demented turn from Huston, a terrifyingly tense final act and, shall we say, a 'committed' performance from Liz. |
| Movie TalkJason BestRose films on the fly using hand-held digital video cameras - which give the scenes of marital discord a convincing immediacy. |
| Times (UK)Edward PorterThe shark-grinned Huston can be a charismatic presence, but this particular performance has no kind of aura. |
| The Sun (UK)Grant RollingsThe only thing I wanted Huston to take off were the bling shades he wears inside, while the muffled dialogue, out-of-focus camerawork and slow pace had me thinking about abstaining from movie-going. |
| London Evening StandardDerek MalcolmIt may ultimately lack subtlety, but it peers into the hearts and minds of its two weird protagonists with some skill. |
