
Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with the local journalist Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won't have any trouble leaving the country, but the situation is different for Pran; he's a local, and the Khmer Rouge are moving in.... (Full plot summary below)
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Sydney Schanberg is a New York Times journalist covering the civil war in Cambodia. Together with the local journalist Dith Pran, they cover some of the tragedy and madness of the war. When the American forces leave, Dith Pran sends his family with them, but stays behind himself to help Schanberg cover the event. As an American, Schanberg won't have any trouble leaving the country, but the situation is different for Pran; he's a local, and the Khmer Rouge are moving in.
Leave your thoughts about The Killing Fields.
| Apollo GuideBrian WebsterThe story is powerful, the script intelligent, the cinematography beautiful and the performances nearly flawless. |
| VarietyVariety StaffThe intent and outward trappings are all impressively in place, but at its heart there's something missing. |
| Film.comJohn HartlThe director, Roland Joffe, and his photographer, Chris Menges, capture all of this with a realism that hasn't been so poetically convincing in a nondocumentary context since Gillo Pontecorvo's Battle of Algiers. |
| Washington PostPaul AttanasioThe Killing Fields is the best movie about journalism since "All the President's Men," re-creating with an understated ease the atmosphere of the poolside bonhomie of the correspondents, the mechanics of getting and filing a story, and the moral quandaries of a reporter's professional detachment. |
| Los Angeles AlternativeJay AntaniOne of the most potent politically-charged dramas ever made, managing to honor both the epic and the intimate aspects of its drama. One of the top films of the '80s. |
| Kansas City KansanSteve CrumPowerful, unsettling, factual; Oscar caliber acting all around. |
| The Associated PressBob ThomasRoland Joffé's 1984 masterwork is a solid piece of historical film-making, capturing factual detail without sacrificing fine storytelling. |
| Chicago Sun-TimesRoger EbertOne of the risks taken by The Killing Fields is to cut loose from that tradition, to tell us a story that does not have a traditional Hollywood structure, and to trust that we'll find the characters so interesting that we won't miss the cliché. It is a risk that works, and that helps make this into a really affecting experience. |
| Creative LoafingMatt BrunsonOne of the great films from what proved to be a great year for cinema, The Killing Fields hasn't lost any of its power over the ensuing 30 years. |
| EmpireIan NathanA mighty accomplishment, and possibly the bravest Britflick yet made. |