
Bill Williams is a down-and-out actor who is unexpectedly hired to write a sequel a la "True Lies," the action film that made him famous more than a decade ago. When Bill learns that his co-star is Aaron Roman, a rich kid with no acting experience, what appeared to be the chance for a major comeback turns into a series of outlandish complications. As the duo embark on a journey of outrageous misadventures, the unlikely pair discover that it takes more courage to face real lif... (Full plot summary below)
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Bill Williams is a down-and-out actor who is unexpectedly hired to write a sequel a la "True Lies," the action film that made him famous more than a decade ago. When Bill learns that his co-star is Aaron Roman, a rich kid with no acting experience, what appeared to be the chance for a major comeback turns into a series of outlandish complications. As the duo embark on a journey of outrageous misadventures, the unlikely pair discover that it takes more courage to face real life challenges than it does fighting bad guys on the big screen. Although Aaron may be inexperienced in acting, his tenacious spirit, unwavering optimism and unconditional friendship turns out to be an important, enduring gift to Bill.
Leave your thoughts about The Kid & I.
| L.A. WeeklyMark OlsenGores certainly seems to be enjoying himself, and diplomacy and plain old good taste prevent one from saying much of anything about his screen performance. Arnold doesn't merit such kindness, nor does producer and director Penelope Spheeris, whose work barely rates above the level of rote competence. |
| ColeSmithey.comCole SmitheyTom Arnold wrote and stars in this heart-on-sleeve "comedy" that will go down in cinema history as one of the most awkward additions ever made to the genre. |
| New TimesLuke Y. ThompsonImagine if Tom Arnold had written "Adaptation." No, really. |
| New York PostLou LumenickTHE mesmerizingly awful The Kid & I is a historic first: a comedy about the making of a vanity production that is ITSELF a vanity production. |
| Chicago Sun-TimesRoger EbertNot a great film, but you know what? It achieves what it sets out to achieve, and it isn't boring, and it kept me intrigued and involved. As an actor, Eric Gores creates an engaging and convincing character that I liked and cared about -- and believed. |
| Los Angeles TimesKevin ThomasIt is difficult to imagine anyone but Spheeris pulling off this movie, undercutting all mawkishness, bringing to it nuance and shading, not to mention wit. The result is an enjoyable family movie. |
| Village VoiceBen KenigsbergQualifies as the most indulgent kind of homemade project, laden with tediously inspirational dialogue and visuals that seem shot through half-fizzled Yuengling. Kudos to Gores, at least, for acquitting himself as an actor. |
| Entertainment WeeklyLisa SchwarzbaumWayne's World's Penelope Spheeris directs and also plays herself, in a movie with a message as self-congratulatory as it is meta: All problems are surmountable when selfless Hollywooders work extra, extra hard, pulling together ''for the kid.'' |
| The A.V. ClubTasha RobinsonShamelessly manipulating his audience, wallowing in his highly questionable premise, and above all mocking himself, Arnold bulls ahead enthusiastically and without reservation, and in the process, he brings something like dignity to one of the least dignified movies in recent history. |
| New York Daily NewsElizabeth WeitzmanArnold's heart is in the right place, but somebody needs to save him from himself - and soon. |