The Invisible
The Invisible

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- 63/100 based on 33,162 votes

A teenager is left invisible to the living after an attack.... (Full plot summary below)

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Full Plot Details

A teenager is left invisible to the living after an attack.

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Movie Reviews

Boston Globe - 8/10 by Ty BurrA fully felt, decently crafted teen B-movie melodrama, plenty preposterous in places but alive to the vibrant miseries of being young and misunderstood.
Variety - 5/10 by Peter DebrugeThat rare mystery in which auds know everything upfront and the characters, rather than investigating, simply wait for the culprit to turn herself in. Previously adapted as Swedish thriller "Den Osynlige," Mick Davis' script brings out director David S. Goyer's emo side.
The Globe and Mail (Toronto) - 5/10 by Liam LaceyThe Invisible isn't the formulaic horror film that the studio is selling it as but surely it wasn't supposed to be an accidental comedy either.
San Francisco Chronicle - 5/10 by Peter HartlaubThe Invisible is, at its core, a character study, albeit one with a Patrick Swayze-in-"Ghost" paranormal edge. But it's definitely not mindless trash. If anything, the movie is too introspective, to the point that it doesn't build enough conflict or tension.
The A.V. Club - 5/10 by Scott TobiasThe film disappoints on its own terms, failing to drum up any sympathy for a self-pitying rich kid who can't pry his eyes from his navel.
Chicago Reader - 5/10 by Jonathan RosenbaumOriginality and even a certain amount of obscurity are more appealing than formula. This doesn't work, but I was never bored.
New York Post - 4/10 by Kyle SmithA 12th-grade "Sixth Sense" with a third-rate plot.
The Hollywood Reporter - 4/10 by Kirk HoneycuttThe drama never comes together in a smart, meaningful way; indeed, most revelations border on the banal.
Austin Chronicle - 4/10 by Marc SavlovThis may be a remake of a Swedish film from 2002 (itself based on a novel), but unspooling in the cineplex it feels more akin to one of emo godhead Conor Oberst's more emotionally mopey musical diversions.
The New York Times - 4/10 by Jeannette CatsoulisThis latest recycling of foreign-grown frights shows less interest in horror than in healing.

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