
Omri (Hal Scardino), a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother Jane (Linsday Crouse), and a tiny plastic model of an Indian from his best friend Patrick (Rishi Bhat). Putting them all together, Omri locks the Indian inside the cabinet, only to be awoken by a strange sound in the middle of the night. Omri opens the cabinet to discover that the tiny Ind... (Full plot summary below)
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Omri (Hal Scardino), a young boy growing up in Brooklyn, receives an odd variety of presents for his birthday: a wooden cabinet from his older brother, a set of antique keys from his mother Jane (Linsday Crouse), and a tiny plastic model of an Indian from his best friend Patrick (Rishi Bhat). Putting them all together, Omri locks the Indian inside the cabinet, only to be awoken by a strange sound in the middle of the night. Omri opens the cabinet to discover that the tiny Indian has come to life; it seems that he's called Little Bear (Litefoot), and he claims to have learned English from settlers in 1761. Omri hides this remarkable discovery from his mother but shares it with Patrick; as an experiment, Patrick locks a toy cowboy into the cupboard, and soon Little Bear has a companion, Boone (David Keith), though predictably, the cowboy and the Indian don't get along well at first. Omri comes to the realizations that his living and breathing playthings are also people with lives of their own, and he begins to wonder how much control he should really have over their lives.
Leave your thoughts about The Indian in the Cupboard.
| Common Sense MediaCommon Sense Media EditorsClassic, heartwarming fantasy will rivet kids. |
| ReelViewsJames BerardinelliThe movie teaches lessons without preaching, and focuses on the magic of relationships rather than that of special effects. This leads to a production as affecting for adults as for children. |
| Philadelphia InquirerCarrie RickeyGenuinely charming, this children's fantasy is the perfect antidote to Pokemon mania: Younger kids should be entranced, while their older brothers and sisters may just pick up on its gentle critique of a movie culture in which action figures and tie-in toys are all-important. |
| The Seattle TimesDoug ThomasLike many of the classic works for children, it is finally about the rough passage to adulthood, and Hal Scardino's ability to convey that change is another reason why even in a year of wonders for children this quiet film still manages to impress. |
| Washington PostJoe BrownA faithful, clever adaptation of Lynne Reid Banks's award-winning children's book. A sort of blockbuster in reverse, with its action and adventures played on a very small scale, it combines the touching themes of classic stories like The Velveteen Rabbit with the high-tech micro-special effects of Honey, I Shrunk the Kids. |
| Video-Reviewmaster.comSteve CrumInventive children's yarn with good special effects. |
| DVDLaserDouglas PrattThe 98 minute drama takes good advantage of the premise, however, to provide some simple intelligent lessons about tolerance. cultural diversity and the nature of life, utilizing the magic of filmmaking to ignite the imagination and stir some excitement, |
| NewsweekDavid AnsenSurprisingly well-done nearly all the way around, this neither plays down to its target audience, nor fumbles the inherent childhood fantasy of the story. |
| Boston GlobeJay CarrThe movie unleashes all sorts of considerations it doesn’t really deal with, and the material edges closer to horror than it probably intends. |
| Washington PostFrank AhrensUltimately done in by two-dimensional characterizations and poor acting. |