The Haunting
The Haunting

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- 49/100 based on 64,576 votes

When Eleanor, Theo, and Luke decide to take part in a sleep study at a huge mansion they get more than they bargained for when Dr. Marrow tells them of the house's ghostly past.... (Full plot summary below)

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When Eleanor, Theo, and Luke decide to take part in a sleep study at a huge mansion they get more than they bargained for when Dr. Marrow tells them of the house's ghostly past.

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Movie Reviews

Matinee Magazine - 9/10 by Chuck RudolphDoesn't try to spook you as much as it tries to browbeat you into a defeated, whimpering submission.
TNT's Rough Cut - 9/10 by Christopher BrandonMost of De Bont's effects, particularly the busts of children, are more amusing than they are frightening.
Tampa Bay Times - 8/10 by Steve PersallThe story is a mess, but for long periods of time that hardly matters. It's beside the point, as we enter one of the most striking spaces I've ever seen in a film.
Chicago Tribune - 8/10 by Michael WilmingtonThe Haunting can't quite decide whether it's an out-and-out thriller, a psychological drama, or a systematic demonstration of the latest computer-generated effects. But it should attract big crowds for a weekend or two on the strength of its attractive stars and deliciously spooky setting.
Hollywood Report Card - 8/10 by Ross AnthonyHas an unseen enchantment, so aptly sets spinning like a huge magnificent gyroscope on a string
Film.com - 8/10 by Ernest HardyThere are few truly frightening moments in the film, little tension or real sense of menace, and the camp humor that is suggested in early scenes dissipates fairly quickly.
New York Times - 8/10 by Janet MaslinA lavish illustration of how to take a fairly modest black-and -white horror film from 1963 and amplify it so relentlessly that the sight of the flying cow in Twister would not be all that amiss.
Compuserve - 7/10 by Harvey S. KartenDirector Jan de Bont, known for the razzle he put into the exciting movie Speed and the subsequent dud Twister, proves himself unable to break away from depending on dazzle to substitute for substance.
Philadelphia Inquirer - 6/10 by Desmond RyanThis latest special-effects free-for-all from Jan De Bont is a lavish illustration of how to take a fairly modest black-and-white horror film from 1963 and amplify it so relentlessly that the sight of the flying cow in Twister would not be all that amiss.
MSNBC - 6/10 by Joe LeydonYou can spend millions instead of thousands on a production, and still have nothing more than a B-movie.

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