The Goob
The Goob

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Young Goob, 16 years old, returns home to his mother where he grew up in the countryside, between a small restaurant and a field of pumpkins. His mother's new companion and Goob don't get along. This summer Goob will mature in many ways, dealing with a girl in the stock-car circuit, a gay cousin who dances, and problems with a seasonal woman fieldworker.... (Full plot summary below)

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Full Plot Details

Young Goob, 16 years old, returns home to his mother where he grew up in the countryside, between a small restaurant and a field of pumpkins. His mother's new companion and Goob don't get along. This summer Goob will mature in many ways, dealing with a girl in the stock-car circuit, a gay cousin who dances, and problems with a seasonal woman fieldworker.

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Movie Reviews

Times (UK) - 8/10 by Wendy IdeThe setting for Guy Myhill's terrific coming-of-age drama The Goob is the wind-blasted flatland of rural Norfolk, but there's a reckless, lawless quality to this land and its community that evokes the backwoods of America's deep south.
Guardian - 8/10 by Peter BradshawA really intelligent essay in classic Brit social realism, well-acted and beautifully photographed by cinematographer Simon Tindall.
The List - 8/10 by Nikki BaughanAt the centre of it all, lanky newcomer Walpole gives a remarkable, sympathetic performance as a boy on the cusp of manhood, struggling with the pressures of a small-town environment and a half-formed desire for something more.
Slant Magazine - 6/10 by Elise NakhnikianA wordless montage of the Goob's night-long first date with one of the migrant pickers who harvest the crops is transcendent.
Time Out - 6/10 by Cath ClarkeDespite the wide-open scenery, the film exerts a forceful, pressure-cooker sense of claustrophobic inevitability.
Independent (UK) - 6/10 by Geoffrey MacnabThe writer-director Guy Myhill brings an engaging mix of abrasiveness and lyricism to a film that seems at times like a British equivalent to David Gordon Green's early films.
Radio Times - 6/10 by Damon WiseSome typical Britfilm flourishes are present and correct - moody shots of the Goob whipping through the long grass, brandishing a stick - but the Norfolk setting, its sincere leads and an affecting score keep things a touch above the usual.
Little White Lies - 6/10 by Adam WoodwardDoesn't quite live up to its early promise, but still a solid debut from first-time British writer/director.
Observer (UK) - 6/10 by Jonathan RomneyThe Goob is less about linear narrative than presenting a fragmentary drift of events and a spirit of place that's deeply claustrophobic.
Eye for Film - 5/10 by Amber WilkinsonThere is a skittishness to Guy Myhill's debut that initially feels impressionistic but ultimately seems like carelessness as his narrative weaves unsteadily through its central character's coming of age, unsure where to place its emphasis.

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The Goob