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| Seattle TimesJohn HartlEssentially a collection of home movies, it's almost a dictionary definition of "self-indulgent," filled with famous faces, naked people and what certain celebrities mean to Auder. |
| Boxoffice MagazineMatthew NestelA pixilated portrait of a life lived and captured unlike any other. |
| New York TimesNathan LeeMichel Auder has been making videos longer than almost anyone, and that alone makes the work of this underappreciated artist and filmmaker worth attending to. |
| Cinema ScopeAndrea PicardIts pseudo-fiction saves the film from itself in a perverse kind of way. |
| VarietyJohn AndersonIt is a profoundly indulgent work -- what three-hour filmed memoir wouldn't be? -- but the memory of Auder's memory will linger on for the handful of resilient experimental-film fans who see it. |
| Village VoiceJ. HobermanThis is truly a work of symphonic aspirations and masterful execution. |