
The Fabulous Baker Boys, a Seattle-based duo piano lounge act performing cheesy jazz renditions of pop standards, is comprised of thirty-something brothers Frank and Jack Baker. Older Frank, married with two children, is the controlling business manager, front man and sole programmer of the playlist. Younger Jack is the carefree one without commitments to anything or anyone, including women, he who has had a long string of one night stands, most specifically with cocktail wai... (Full plot summary below)
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Kashiwagi Yuki 1st Live Tour - Netemo Sametemo Yukirin World Nihon Judan Minna Muchu ni Sasechauzo -The Fabulous Baker Boys, a Seattle-based duo piano lounge act performing cheesy jazz renditions of pop standards, is comprised of thirty-something brothers Frank and Jack Baker. Older Frank, married with two children, is the controlling business manager, front man and sole programmer of the playlist. Younger Jack is the carefree one without commitments to anything or anyone, including women, he who has had a long string of one night stands, most specifically with cocktail waitresses. Jack's strongest commitments are to his aging dog, Eddie, and to Nina, the lonely adolescent who lives in the apartment above his with her single, constantly dating mother. Jack's commitment to Nina is because of her unwavering commitment to him. The Baker Boys' act is becoming stale and outdated, and as such their ability to hold onto what gigs they are able to get is getting more difficult. So Frank comes up with the idea of hiring a singer to beef up the act. After thirty-seven failed auditions, they finally hire the last, the thirty-eighth auditioner, Susie Diamond, a woman one step above white trash. Despite Susie having no formal singing experience, she has just a strong enough vocal talent of the music they perform, and can sell a song largely on her stage presence and sex appeal. She is able to turn off her outward tough girl demeanor once she's on stage. Susie is initially an uneasy addition to the act, but becomes an integral part of it as the act begins getting more gigs, more lucrative ones at that. But Susie's presence not only threatens the new act, but threatens the interrelationships between all three. Frank believes the biggest threat is any sexual tension, perceived or real, between Jack and Susie. However, the biggest threat is how Susie is able to expose the fundamental rifts between the brothers, Frank whose primary goal is to put food on his family's table, while Jack's is his true musical dreams which are being stifled by the act.
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| VarietyVariety StaffThe fun part is seeing it all play out, thanks to a standout cast and first-time director Steve Kloves' skill in handling them. |
| Entertainment WeeklyJason ClarkNearly every scene is a jazz-tinged, virtuoso actors’ duet. |
| Washington PostRita KempleyThe Fabulous Baker Boys is like a beloved movie from the glory days of Hollywood. It transports you. It's an American rhapsody. |
| Boston GlobeJay CarrWith humor that cuts through a deep undercurrent of sadness, Baker Boys captures the rinky-dink milieu of second-rate lounges, where patron kibitzing threatens to drown out the piano-tinkling of the paid entertainment. |
| Time OutGeoff AndrewMuch of the credit must go to the actors, with the Bridges brothers making a superb double act. |
| Miami HeraldRyan MurphyThe luxurious feel of the film is a perfect counterpoint to the painful truths drawn on each brother's face, whilst Pfieffer is much more than eye candy. |
| Chicago Sun-TimesRoger EbertThere is a scene in The Fabulous Baker Boys where Michelle Pfeiffer, wearing a slinky red dress, uncurls on top of a piano while singing "Makin' Whoopee." The rest of the movie is also worth the price of admission. |
| Slant MagazineChuck BowenThe Fabulous Baker Boys ultimately soars on the strength of its three perfectly cast stars, who collectively wed studies of glamour (Jeff Bridges and Pfeiffer) with ruminations on the pain of life as an everyman among stars (Beau Bridges). |
| The New YorkerPauline KaelWriter-director Steve Kloves (who would go on to write the screenplays for all the Harry Potter films) takes three gripping characters who could each anchor their own movie, and crafts a film that honors all of them. |
| Chicago ReaderJonathan RosenbaumThis pared-away comedy-drama, which concentrates exclusively on the three characters, has plenty of old-fashioned virtues: deft acting, a nice sense of scale that makes the drama agreeably life-size, a good use of Seattle locations, fluid camera work (by Michael Ballhaus), a kind of burnished romanticism about the music, and a genuine feeling for the characters and their various means of coping. And Pfeiffer turns out to be a terrific singer. |