In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.... (Full plot summary below)
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In the fall of 1960, Father Thomas Riley and Father John Thornton were sent by the Vatican to investigate a miraculous event in an Irish home for 'fallen women', only to uncover something much more horrific.
Leave your thoughts about The Devil's Doorway.
| Film Ireland MagazineDavid PrendevilleSmart in both form and content, this is an innovative, effective and necessary Irish horror film. It marks [director Aislinn] Clarke out as a distinctive talent to watch. |
| VanyalandNick JohnstonClarke's skillful direction and palpable sympathy for these women prevents The Devil's Doorway from falling down an exploitation black hole. |
| Ozus' World Movie ReviewsDennis SchwartzA chintzy found-footage occult/horror film lambasting the Catholic Church for its hypocrisy. |
| SciFiNowAnton BitelThere will, as the title implies, be devilry at the door, but Clarke's film is less concerned with demonising its (dis)possessed women than with exposing the Church's own hypocrisy and vicious practices. |
| Film PulseBlake Crane[S]pooky as hell, with some biting commentary on the history of the Catholic Church and a setting that grows increasingly claustrophobic and menacing as the narrative deepens. |
| Eye for FilmJennie KermodeThe ambiguity of the title is as important as the ambiguity of the ending -- and always, underscoring it, the understanding that there was nothing ambiguous about what was found beneath the ground in Tuam. |
| Film InquiryFrazer MacDonaldThe film isn't without its effective scares, and long-time fans of the found footage genre will find something to enjoy in the film, even if the only fresh aspect of the film is its cinematography. |
| MovieFreak.comSara Michelle FettersAislinn Clarke's confident and sinister debut...[is] more concerned with her three principal characters and their twisting moral ambiguities than it is in unleashing a bunch of nonsensical cheap scares. |
| Birth.Movies.Death.Jacob KnightClarke's debut announces a gifted, innovative talent with a solid eye and sense for what scares the s--- out of us when the lights cut out. |
| Screen InternationalFionnuala HalliganIt takes its narrative cue from the Bon Secours mother-and-baby home in Tuam, County Galway in which “significant” numbers of dead children have been discovered. Even though this is placed within a potentially-exploitative genre framework, it is still handled with sensitivity and sympathy by this latest female director to flesh out horror tropes. |
