The Decline of Western Civilization Part II: The Metal Years
The Decline of Western Civilization Part II: The Metal Years

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- 72/100 based on 4,147 votes

Documentary showcase, what life was like for the music artists living during the Los Angeles Heavy Metal scene in the mid and late 1980s.... (Full plot summary below)

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Documentary showcase, what life was like for the music artists living during the Los Angeles Heavy Metal scene in the mid and late 1980s.

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Chicago Tribune - 8/10 by Dave KehrThere are few marquees that could contain the title The Decline of Western Civilization Part II: the Metal Years, but Penelope Spheeris' documentary on the heavy metal bands of rock 'n' roll turns out to be much more graceful than its name. [05 Aug 1988, p.B]
Miami Herald - 8/10 by Doug AdriansonThe boys all brag about sex but look like Mother Fist is their main mistress. The values stink, the music stinks, and Lemmy from Motorhead is a dickhead, but the movie is totally compelling. Rather like watching a car wreck on the opposite side of a motorway.
Chicago Reader - 7/10 by Luca CimarustiPenelop Spheeris's 1988 sequel to her classic 1981 LA punk documentary focuses on the kind of extravagance that the kids in the first film were rebelling against, at least insofar as it manifested itself in stadium-ready rock 'n' roll and its brand-new baby brother, hair metal.
The New York Times - 6/10 by Janet MaslinEven those who would never, without the urging of wild horses, dream of attending a film about the seamy world of heavy-metal music are sure to find Penelope Spheeris's The Decline of Western Civilization Part II: The Metal Years of unexpected interest.
Los Angeles Times - 6/10 by Michael WilmingtonDecline's redeeming grace is its jocular, damn-the-proprieties air and, for the first half, its staccato editing rhythm. It's damnation is most of the music and its relative avoidance of heavy metal's darker corners: the pith and point that Alex Cox gave punk in Sid and Nancy.
Chicago Reader - 3/10 by Jonathan RosenbaumThere's so little respect for the music that we never see or hear a number from beginning to end, and we rarely hear any of the musicians speak more than a few seconds at a time. Overall the glibness and self-contempt are so thick you can cut them with a knife.

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