
A group of academics at the University of Montreal--most long time friends--plan to gather at the lakeside recreational home of Rémy and Louise, who have been together for 20 years, married for 15 of them, for dinner. Louise knows Rémy cheats on her, but believes he only does so when she is not around, which she accepts. Their recreational home is adjacent to many of the recreational homes of the others, who are: divorced Pierre and his much younger current girlfriend Danie... (Full plot summary below)
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A group of academics at the University of Montreal--most long time friends--plan to gather at the lakeside recreational home of Rémy and Louise, who have been together for 20 years, married for 15 of them, for dinner. Louise knows Rémy cheats on her, but believes he only does so when she is not around, which she accepts. Their recreational home is adjacent to many of the recreational homes of the others, who are: divorced Pierre and his much younger current girlfriend Danielle who is a student at the university; divorced mother Diane; independent-minded Dominque; single homosexual Claude; and graduate student Alain; While the four men prepare the dinner, the four women are working out together in the gym. The common factor between the two groups is the topic of conversation: sex, especially as it relates to themselves. But underlying each of the conversations is their own academic and intellectual backgrounds, which shapes the nature of the discussions. When the two groups finally converge for dinner, a ninth person is added peripherally, brusque working-class Mario, Diane's current sexual partner. This relationship is a first for Diane in that not only their sexual encounters but the way they interact with each other in general is predicated on S and M, dictated largely by Diane, the submissive. What happens with the group as dinner goes into evening and evening goes into morning is further shaped by them listening to a prerecorded interview Dominique did for CBC Radio earlier in the day to promote her new book, which discusses how the quest for individual happiness in modern western society is leading to the decline of the society in general.
Leave your thoughts about The Decline of the American Empire.
| The New York TimesVincent CanbyMr. Arcand's dialogue is not didactic. It's spontaneously funny and rueful and full of oblique revelations. Though highly intelligent, his characters are prone to self-delusion. They're nothing if not civilized, but they don't hesitate to lie and cheat in their own interests. |
| Chicago Sun-TimesRoger EbertThe movie is wise, deep, and painful, and it is filled with words. Used to be, a "sex film" contained lots of nudity and steamy scenes. That kind of stuff would just slow this one down. |
| Washington PostRita KempleyThe Decline of the American Empire is certainly the year's most intellectual work, a frequently funny, unrepressed meditation on midnight in North America. It's the kind of warning you'd expect from a middle-aged, over-educated male, going soft 'round the middle and figuring the world is too. |
| The A.V. ClubScott TobiasWith nothing at stake dramatically, much less cinematically, Arcand leans heavily on brow-raising repartee to carry the load, but his naked contempt throws a wet blanket over all the frank sexual anecdotes and observations. |
| Washington PostPaul AttanasioFrom the opening shot, an endless, unmotivated dolly move up a corridor that conveys no information, establishes neither theme nor setting and serves no other purpose, you know that you are in the presence of true film ineptitude, which only deepens as The Decline of the American Empire continues. |