
On the lightly snowy evening of January 6, 1904 in Dublin, elderly spinster sisters Kate and Julia and their niece, Mary Jane - all music teachers or performers, past or present - are hosting their annual Epiphany party and dinner, and, with the exception of Mary Jane's new crop of students and the young gentlemen tasked with keeping them company, most of the guests have attended in previous years. Kate and Julia's nephew Gabriel and his wife Gretta hold integral roles for th... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
Links compiled using automated software. Availability of offers subject to change / might be region specific / out of date.
On the lightly snowy evening of January 6, 1904 in Dublin, elderly spinster sisters Kate and Julia and their niece, Mary Jane - all music teachers or performers, past or present - are hosting their annual Epiphany party and dinner, and, with the exception of Mary Jane's new crop of students and the young gentlemen tasked with keeping them company, most of the guests have attended in previous years. Kate and Julia's nephew Gabriel and his wife Gretta hold integral roles for the evening, Gabriel, who, in addition to being Freddy Malins' caregiver if he gets too drunk as is often the case, is to carve the dinner goose and provide the evening's main toast, while Gretta is to present the pudding. With the added unexpected excitement provided by Irish nationalist Molly Ivors for Gabriel, the party basically goes according to script. As most of the guests have departed and just before Gabriel and Gretta are to do the same - this year they staying in a downtown hotel instead of making the long trek to their suburban home and children - something happens to makes Gretta enter into a moment of deep reflection. Gretta confessing the cause and the item of reflection later at the hotel to Gabriel leads to Gabriel, as a culmination of the evening's sum total of events, also entering into reflection, about his and Gretta's marriage, and about life and death in general.
Leave your thoughts about The Dead.
| Washington PostHal HinsonThe movie was Huston's last and it's a great culminating work. As such, it couldn't be more perfect. |
| New York TimesVincent CanbyThat Huston should have dared search for the story's cinema life is astonishing. That he should have found it with such seeming ease is the mark of a master. |
| The Moving Picture ShowJoe LeydonThe film is a masterpiece, both a worthy translation of James Joyce's story and a wonderful summation of John Huston's career. |
| Spirituality and PracticeFrederic and Mary Ann BrussatThe Dead celebrates the beauty of the English language, the challenges of marital love and the intimations of mortality which can bring us back to an exaltation of life. |
| Turner Classic Movies OnlineSean Axmaker... a small masterpiece, a film of exquisite grace and understated power. |
| Capital Times (Madison, WI)Rob ThomasVery faithful Joyce adaptation that's worth sticking with to its powerful end. |
| EmanuelLevy.ComEmanuel LevyA personal film for John Huston, starring daughter Anjelica and adapted to the screen by son Tony, this very last work evokes beautifully the mood and texture of James Joyce's lyrical story. |
| The New York Review of BooksDenis DonoghueHuston's film is not flawless, but even its flaws are generous. The entire film is suffused with a sense of values vulnerable but not yet gone, of eloquence not yet disabled by irony. |
| Slant MagazineJoseph Jon LanthierWhat redeems Huston's last gasp is the observational framing and agile editing with which the Morkan sisters' soiree is captured. |
| BBC.comJamie Russell[A] deeply reverent, deeply affecting adaptation. |