
A man pursues stand-up comedy encouraged by his fellow garbage man. Though his friend, who accompanies him on accordion, continues to tell him how great he is, he actually stinks. When the "comedian" grows a third arm out of his back, the friend uses this twist to get him signed up with a sleazy talent agent, and it begins to look like his career is on the move, even though his girlfriend has left him.... (Full plot summary below)
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A man pursues stand-up comedy encouraged by his fellow garbage man. Though his friend, who accompanies him on accordion, continues to tell him how great he is, he actually stinks. When the "comedian" grows a third arm out of his back, the friend uses this twist to get him signed up with a sleazy talent agent, and it begins to look like his career is on the move, even though his girlfriend has left him.
Leave your thoughts about The Dark Backward.
| Boston GlobeJay CarrDarkman is funny, but it’s no joke; it’s the work of a man who underlines the conventions of adventure stories and horror because he enjoys them, and knows that even when rendered tongue-in-cheek, they’re timeless. |
| Entertainment WeeklyOwen GleibermanDarkman is a thrillingly demented pop spectacular: a grade-B movie made by a grade-A lunatic. |
| Apollo GuideBrian WebsterOdd and twisted, The Dark Backward has plenty to thrill admirers of ugliness and enough food for thought to interest the rest of us too. |
| Los Angeles TimesKevin ThomasRifkin has spun a pitch-black fable of show business at its sleaziest and most ephemeral. |
| Chicago TribuneGene SiskelDarkman, as unnerving as a gargoyle, is a classic nightmare, elegant and sumptuous, everything "Batman" should have been. But we're numbed after a while, as we are by the grotesquerie of the nightly news. Then again, maybe that's Raimi's intention. His work is beautiful in its scary way, and never only skin deep. |
| Austin ChronicleMarc SavlovRifkin has fashioned a crawly little movie that underscores the Faustian price of fame in a way that few recent films have managed. |
| Los Angeles TimesMichael WilmingtonDarkman sustains mild interest throughout, but it never takes off, partly because a real-estate scam, gangland shootouts, city corruption and a love story clutter up the sad story of Westlake's strange mutation. |
| Entertainment WeeklyMichael SauterSomewhere here, an ironic show-biz parable is trying to take shape. But director Adam Rifkin generally ignores it, preferring to flaunt the chops he has borrowed from David Lynch and John Waters. |
| The Globe and Mail (Toronto)Jay ScottCertainly not Raimi at his best, but some knowing genre nods and an array of great effects make up much of the deficit. |
| The New York TimesJanet MaslinMr. Rifkin's direction does display, in addition to an appreciation of Mr. Lynch and perhaps John Waters, a promising eye for design and a taste for the unusual. With less noxious material and a less patronizing manner, those talents would amount to a lot more. |