
People suffer largely unnoticed while the rest of the world goes about its business. This is a documentary exploration of the mythic beauty of the Golden Gate Bridge, the most popular suicide destination in the world, and those drawn by its call. Steel and his crew filmed the bridge during daylight hours from two separate locations for all of 2004, recording most of the two dozen deaths in that year (and preventing several others). They also taped interviews with friends, fam... (Full plot summary below)
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People suffer largely unnoticed while the rest of the world goes about its business. This is a documentary exploration of the mythic beauty of the Golden Gate Bridge, the most popular suicide destination in the world, and those drawn by its call. Steel and his crew filmed the bridge during daylight hours from two separate locations for all of 2004, recording most of the two dozen deaths in that year (and preventing several others). They also taped interviews with friends, families and witnesses, who recount in sorrowful detail stories of struggles with depression, substance abuse and mental illness. Raises questions about suicide, mental illness and civic responsibility as well as the filmmaker's relationship to his fraught and complicated material.
Leave your thoughts about The Bridge.
| TV Guide MagazineKen FoxThe film avoids theorizing about why the bridge should exert such a hold over the imaginations of suicides all over the world, but Steel's dramatic cinematography, particularly the distorted telephoto shots that make the bridge loom even larger than it already does in life, provide one answer. |
| PremiereEthan AlterThis is one movie that's guaranteed to linger in your mind after you leave the theater, whether you want it to or not. |
| Los Angeles TimesKenneth TuranBoth a beautiful film and a disturbing one, and the connection between those two characteristics makes it the most disquieting of documentaries. |
| Portland OregonianMarc MohanWhile these interviews are affecting, and the movie talks about suicide in a refreshingly straightforward manner, it's the images of these actual deaths that induce horrified gasps. |
| New York PostLou LumenickA serious, wrenching and oddly poetic documentary. |
| San Francisco ChronicleMick LaSalleThe real item under consideration here is the movie itself, and the bottom line is that it lands in a humane place. True, any viewer will go in with a certain curiosity, ghoulish or otherwise, about what it's like to jump off a bridge, and yet the overall effect of the film is broadening. To see it is to dread the bridge jumps and to come away with a feeling of compassion and empathy. |
| The A.V. ClubNathan RabinThe Bridge packs a visceral emotional wallop. How could it not? But along with plenty of difficult questions, Steel's film leaves a sour, disturbing aftertaste. |
| SlateDana StevensYou leave The Bridge with a new appreciation for your (relative) mental stability and a vow to make the most of your brief, ephemeral life. |
| The New York TimesStephen HoldenThis eerie and indelible documentary about suicide juxtaposes transcendent beauty with personal tragedy. |
| VarietyDennis HarveyCompelling result is handled with enough dignified artistry to quell most fears of exploitation. |