
The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline.... (Full plot summary below)
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The idle son of a rich businessman joins the army when the U.S.A. enters World War One. He is sent to France, where he becomes friends with two working-class soldiers. He also falls in love with a Frenchwoman, but has to leave her to move to the frontline.
Leave your thoughts about The Big Parade.
| Antagony & EcstasyTim BraytonThough a virtually uncountable number of war films in the intervening 84 years have trodden upon much the same ground, few of them indeed have been able to equal its achievements. |
| Tim Dirks' The Greatest FilmsTim DirksThe Big Parade (1925) is director/producer King Vidor's most famous war film from the silent era - |
| Creative LoafingMatt BrunsonMasterfully directed by King Vidor, this swings easily between comedy, romance and tragedy without missing a beat, and there are numerous set-pieces of enormous power -- even today, the harrowing battle scenes would rank among the best ever put on film. |
| The DissolveNoel MurrayThe Big Parade wasn't just an international hit; it immediately set the standard for Hollywood war movies. |
| The SpectatorIris BarryThere is a peculiar delight in sitting through a play in which every dialectic skill is used -- where the aptness of language to express character, emotion, the interplay of thoughts gives one a pure joy. |
| 7M PicturesKevin CarrLike All Quiet on the Western Front, The Big Parade gives a comprehensive look at then-modern warfare. |
| Ozus' World Movie ReviewsDennis SchwartzKing Vidor's popular moving antiwar WWI drama set the tone for how to shoot a war film. |
| User ReviewWilliam WRecently in approaching the milestone of seeing my 5,000th film (at least by my IMDb list of my shoddy recollections), I wanted to make it a very special film, so it was between the blus of this and 'The Treasure of the Sierra Madre'. That was a very special work too, but in retrospect, I felt this was an even finer film. I haven't seen much of Vidor's work (only 'The Champ', 'Hallelujah' and 'The Fountainhead'--all of which I greatly admired), but I knew he was a great American director to be reckoned with, for any cinephile worth his salt. Plus, I had always been intrigued by the then-sex symbol status of ill-starred John Gilbert (especially since my favourite actress ever, Great Garbo, was so enraptured by him). This was remarkable. I was astounded by how Vidor (who said beforehand he wanted to finally make a film that wouldn't simply be gone from theatres in a week, but would play on for years, and that he would put forth a much greater effort if that could be the case, especially if either about steel, wheat or war) mixed elements, emotions and atmosphere so expertly. Even though it was a first-watch, since it was a silent film I thought it would be all right to throw on the Jeffrey Vance commentary, which contained four interview snippets from Vidor, late in his life in the 1970's. It was a wonderful cinephilic experience, and the book that enclosed the blu ray release was even more telling, with tons of pictures and essays about the American landmark of silent cinema. |
| User ReviewAndrey BWhat a movie! What a storytelling, what a love story! And those nightmarish battle scenes. Watching this movie you keep thinking what's happened to the modern cinema. They just don't make movies like that anymore. |
| User ReviewPablo Martin PSo, I'm here, writing from the PC of my new, I don't know, girfriend? Maybe... Not many movies seen lately, only the wondereful masterpiece from 1925: King Vidor's "The Big Parade", one of the best war movies ever made. Ok, this entry was only to show her that I'm so important that I have a personal page in this Vine. I enjoy reading your entries people, so I say good by to you, and a very happy Hannuka! :D |