
A beautiful summer day. A garden. A terrace. A woman and a man sit at a table beneath the trees, with a soft summer wind. In the distance, in the vast plain, the silhouette of Paris. A conversation begins: questions and answers between the woman and the man. It deals with sexual experiences, childhood, memories, the essence of summer and the difference between men and women. It illustrates both, feminine perspective and masculine perception. In the background, inside the hous... (Full plot summary below)
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A beautiful summer day. A garden. A terrace. A woman and a man sit at a table beneath the trees, with a soft summer wind. In the distance, in the vast plain, the silhouette of Paris. A conversation begins: questions and answers between the woman and the man. It deals with sexual experiences, childhood, memories, the essence of summer and the difference between men and women. It illustrates both, feminine perspective and masculine perception. In the background, inside the house that opens onto the terrace, on the woman and the man: the writer, in the process of imagining this dialogue and typing it down. Or is it the other way around? Might it be that those two characters over there tell him what he's putting down on paper: a long, final dialogue between a man and a woman?
Leave your thoughts about The Beautiful Days of Aranjuez.
| El Pais (Spain)Jordi CostaThe Beautiful Days of Aranjuez speaks of the lost and its reflections do not lead to any revealing conclusions. [Full Review in Spanish] |
| CineVueJohn BleasdaleThe 3D Kodachrome colours, poised performances and careful framing can't disguise the fact that The Beautiful Days of Aranjuez has very little to say. |
| VarietyGuy LodgeWim Wenders is gone with the windbags in a dully verbose 3D talkfest that says very little of substance. |
| Cinemanía (Spain)Daniel de PartearroyoTwo characters seek an author, a director does not remember his talent. [Full review in Spanish] |
| One Room With A ViewKambole CampbellA beautifully shot, disappointing, boring and sexist justification of the male artist ego without momentum or point. |