
Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, G... (Full plot summary below)
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Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy!
Leave your thoughts about The Band Wagon.
| Austin ChronicleGeorge MorrisMinnelli's direction has seldom attained such a perfect fusion of form and content. The Band Wagon is quite simply a masterpiece. |
| The New York TimesBosley CrowtherJoined with the equally nimble talents of Fred Astaire. Jack Buchanan and Cyd Charisse and some tunes from the sterling repertory of Arthur Schwartz and Howard Dietz, this literate and witty combination herein delivers a show that respectfully bids for recognition as one of the best musical films ever made. |
| The GuardianDerek MalcolmThe more you look at it, the more perfect it seems. Hollywood doesn't make films like this now because public taste has changed. But it's doubtful if they could anyway. |
| Chicago Sun-TimesRoger EbertSingin' in the Rain is a comedy, but The Band Wagon has a note of melancholy along with its smiles, a sadness always present among Broadway veterans, who have seen more failure than success, who know the show always closes and that the backstage family breaks up and returns to the limbo of auditions and out-of-town tryouts. |
| New York PostLou LumenickSorry, the beloved Singin’ in the Rain isn’t the finest of the legendary MGM musicals. For my money, it’s a close second to The Band Wagon, which has better music, better dances, better direction, more lavish sets and costumes and a wittier script (by the same writers). |
| EmanuelLevy.ComEmanuel LevyMinnelli's best musical is sparked by witty allusions to real-life showbiz persona like pretentious actor Jose Ferrer and birlliant but aging dancer Fred Astaire, the film's star, who shines when dancing, both with Cyd Charisse and alone. |
| The New YorkerPauline KaelFor many, this 1953 feature represents the height of the American musical. |
| Kalamazoo GazetteJames Sanford"the undisputed highlight of Astaire's post-Rogers career" |
| ColeSmithey.comCole SmitheyWidely considered one of the greatest movie musicals of all time, Vincent Minnelli's "The Band Wagon" connects a jumble of comedic backstage Broadway shenanigans with mix-matched show tunes via Fred Astaire's impeccable dance routines. |
| Creative LoafingMatt BrunsonWhile not as perceptive -- or hilarious -- as 1952's Singin' in the Rain in its skewering of backstage shenanigans among artists, it offers plenty of choice observations. |