Tea with Mussolini
Tea with Mussolini

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- 69/100 based on 13,932 votes

In 1935 a group of elderly British women, whom the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities with their love of Italian art and culture. One of those Scorpioni, Mary Walsh (Dame Joan Plowright), works as the English secretary for Paolo Innocente (Massimo Ghini), who, in part because of his own wife's adamant refusal, largely neglects his illegitimate adolescent son, Luca (Baird W... (Full plot summary below)

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Full Plot Details

In 1935 a group of elderly British women, whom the Italians have named the Scorpioni, have chosen Italy, specifically Florence, as a place to live to blend their proper British sensibilities with their love of Italian art and culture. One of those Scorpioni, Mary Walsh (Dame Joan Plowright), works as the English secretary for Paolo Innocente (Massimo Ghini), who, in part because of his own wife's adamant refusal, largely neglects his illegitimate adolescent son, Luca (Baird Wallace), despite Paolo's want for Luca to grow up to be a proper young man, much like the English. Luca has lived in an orphanage since his dressmaker mother's death, death a concept that Luca does not yet understand. As such, he often runs away looking for his mother. On a mutual agreement between Paolo and Mary, Mary becomes Luca's guardian, she who will receive help in raising Luca by her fellow Scorpioni and financial help from Paolo as needed. Associated with the Scorpioni is a brash younger nouveau riche Jewish-American woman named Elsa Morgenthal (Cher), who, because of her affection for Luca's mother to whom she owed money, sets up a trust for Luca's future. Amongst the Scorpioni, Lady Hester Random (Dame Maggie Smith), the widow of the former ambassador to Italy, in particular and Elsa do not get along because of their fundamental outward differences. The life for the Scorpioni changes with the on-set of World War II, more specifically when Italy declares war on Britain and France. Despite all of the Scorpioni taken into custody of sorts by the Italians, they are eventually housed in the comforts of a hotel. Lady Hester wrongly believes it is her association with Mussolini (Claudio Spadaro) that has gotten them into their comfortable surroundings, but which in reality was arranged and paid for by Elsa. Luca, who has just returned to Italy after attending school in Austria, helps Elsa with her efforts to assist those persecuted in Italy. Luca, now a teenager, has fallen in love with Elsa. As such, Luca is jealous of Elsa's professional and personal relationship with Italian lawyer Vittorio Fanfanni (Paolo Seganti). Elsa's own situation becomes more precarious with the United States' entrance into the war, the Nazis' increasing persecution of Jews, and Luca discovering that Fanfanni has ulterior motives in his relationship with Elsa. Through it all, Mary still tries to be the voice of what is right to Luca, who may be tainted by his own immature teenaged thoughts during these difficult times.

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Movie Reviews

Film Journal International - 9/10 by David NohA soothingly old-fashioned, deeply sentimental memory piece.
Spirituality and Practice - 9/10 by Frederic and Mary Ann BrussatThis satisfying film reveals the ways in which a village can successfully raise a child.
AboutFilm.com - 9/10 by Carlo CavagnaThe latest in the English-Speaking People Who Discover Themselves in Tuscany genre
San Francisco Chronicle - 8/10 by Mick LaSalleIt's warm, spontaneous and heartfelt. Zeffirelli cared about his memories, and he's done justice to them.
The New Republic - 8/10 by Stanley KauffmannAn incomplete memoir with spotty character development, but, in part because of the way it was filmed and in part because of the strength of the cast, it's still an effective entertainment.
TheMovieReport.com - 8/10 by Michael DequinaA collection of isolated, anecdotal events that are as warmly amusing as they are lacking in narrative drive.
L.A. Weekly - 8/10 by F. X. FeeneyThis gets my vote as director Franco Zeffirelli’s finest film. Certainly, it’s his most personal.
Nick's Flick Picks - 8/10 by Nick DavisArt and suffocating tastefulness are taken as such inherent goods in [this film] that they utterly overwhelm the real people whom the film pretends to showcase.
Independent on Sunday - 8/10 by Gilbert AdairIt's a lazy, thoroughly old- fashioned entertainment... Yet it's also unexpectedly watchable and unpretentious -- campy, too, if you're into that kind of thing -- and it communicates a sense that everyone involved had a super time making it.
Seattle Post-Intelligencer - 8/10 by Paula NechakZeffirelli creates a lovely, perfectly composed and lyrical look at life under Mussolini's black-shirted fascist regime. But despite danger on every corner in Italy, there is a tinge of rose-colored sentiment that blurs the events yet lends to the making of an affecting dramatic period piece.

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