Targets
Targets

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- 73/100 based on 10,696 votes

Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree...... (Full plot summary below)

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Full Plot Details

Byron Orlok is an old horror-movie star who feels that he is an anachronism. Compared to real-life violence, his films are tame. Meanwhile, Bobby Thompson goes on a killing spree...

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Movie Reviews

Time Out - 10/10 by Geoff AndrewA fascinatingly complex commentary on American mythology, exploring the relationship between the inner world of the imagination and the outer world of violence and paranoia, both of which were relevant to contemporary American traumas.
PopMatters - 10/10 by Stephen TropianoIt's difficult not to wonder how many Bobby Thompsons are out there right now, driving around with an arsenal in their trunks, ready to fire their first shots.
Film Racket - 10/10 by Mike McGranaghanMaximum suspense! Should be required viewing for any serious movie buff.
Arkansas Democrat-Gazette - 9/10 by Philip Martin...we don't, we can't, know why a Charles Whitman, a Bobby Thompson, a Michael Clark or a James Holmes does what he does. So we say they are mad.
Mountain Xpress (Asheville, NC) - 9/10 by Ken HankeReal life events have caught up with Bogdanovich's film, giving it a resonance no one could have imagined in 1968.
Q Network Film Desk - 9/10 by James Kendrickfrightening in a way few horror movies are because it taps so directly into real fears
Variety - 9/10 by Variety StaffAware of the virtue of implied violence, Bogdanovich conveys moments of shock, terror, suspense and fear.
San Francisco Examiner - 6/10 by Jeffrey M. AndersonClever, effective combination of gun violence and old-time horror movies.
Chicago Sun-Times - 6/10 by Roger EbertTargets isn't a very good film, but it is an interesting one.
User Review - 10/10 by Debbie PExcellent movie. Peter Bogdanovich (which I believe was his first movie) got wonderful performances from Tim O'Kelly and Boris Karloff.

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