Tango & Cash
Tango & Cash

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- 64/100 based on 110,344 votes

The polar opposites, Ray Tango, a suave and sophisticated police officer, and Gabe Cash, his overzealous long-haired partner, are a mismatched LAPD crime-fighting duo who work tirelessly to bring down their arch-nemesis, the ruthless drug lord, Yves Perret. However, when Perret manages to incriminate the pesty team with falsified evidence, Ray and Gabe will soon end up in a maximum-security prison, where an almost endless parade of inmates previously incarcerated by them, are... (Full plot summary below)

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Full Plot Details

The polar opposites, Ray Tango, a suave and sophisticated police officer, and Gabe Cash, his overzealous long-haired partner, are a mismatched LAPD crime-fighting duo who work tirelessly to bring down their arch-nemesis, the ruthless drug lord, Yves Perret. However, when Perret manages to incriminate the pesty team with falsified evidence, Ray and Gabe will soon end up in a maximum-security prison, where an almost endless parade of inmates previously incarcerated by them, are waiting for their captors impatiently. Now, more than ever, Tango and Cash need to put their differences aside to come up quickly with a good plan, not only to escape the jail's walls but also to even the score with the evil kingpin who put them behind bars once and for all. Of course, that's easier said than done.

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Movie Reviews

Empire Magazine - 6/10 by Kirsty McNeillStallone and Russell play well off each other, and with Palance lurking in the background, this buddy-breakout never loses its way.
Tampa Bay Times - 6/10 by Janis FroelichTango and Cash is loaded with sweating, straining, smashing and grunting, with bulging-bicep shots and sadistic special effects. Watery electrocution sequences are a particular favorite, since these mean wet clothes, shooting sparks, writhing bodies and other current staples of high style. Images like these are so all-important in Tango and Cash that the idea of storytelling has virtually been annihilated.
Groucho Reviews - 6/10 by Peter CanaveseA bizarrely appealing movie, Tango & Cash is the essence of camp: it's bad and knows it's bad, so therefore, it's...good? [Blu-ray]
Movie Eye - 5/10 by Frank OchiengA boisterous and banal buddy-buddy formula that arbitrarily pairs Stallone and Russell in tiresome banter
Chicago Tribune - 5/10 by Dave KehrAs written by Randy Feldman and produced by the Batman team of Jon Peters and Peter Guber, Tango & Cash clearly wasn't meant to be interesting. It was meant to be Lethal Weapon-that is, a high-tech, ultra- violent, brain-dead buddy cop movie. In Konchalovsky's hands, however, Tango & Cash is more than interesting. It is, in fact, really weird.
Reel Film Reviews - 5/10 by David Nusair...an ineffective misfire that surely looked a whole lot better on paper.
Miami Herald - 5/10 by Bill CosfordTango & Cash is a mindless buddy cop pic, loaded with nonstop action that's played mostly for laughs and delivers too few of them. Inane and formulaic, the film relies heavily on whatever chemistry it can generate between Sylvester Stallone and Kurt Russell, who repeatedly trade wisecracks while facing life-or-death situations.
Chicago Reader - 5/10 by Henry SheehanThe ostensible humor here is of the macho one-liner variety, and much of it falls flat. There is just too much Ratso and Cowboy for us to believe in Butch and Sundance.
Flavorwire - 4/10 by Jason Bailey'Tango & Cash' turns 25 years old next month, which means if it were a person, it'd be right around the right age to start realizing what a stupid movie 'Tango & Cash' is.
Philadelphia Daily News - 4/10 by Gary ThompsonTango and Cash is a loud, violent, badly written, rather boring cookie-cutter cop picture.

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