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| We Got This CoveredErielle SudarioTalk to Me is an aculmination of years worth viral content creation, mixed in with Australian storytelling. Together, it transformed a comedic short premise into something that gets your heart racing. |
| Film ThreatRob RectorIt signals a strong new voice in the genre with the Philippous that is equally confident, commanding, and committed to slinking under your skin. |
| Chicago Sun-TimesRichard RoeperLike that damn disembodied hand, Talk to Me will keep you in its grips throughout. |
| The Seattle TimesKatie WalshTalk To Me isn’t just a splashy debut for the Philippou brothers, who prove their filmmaking chops in making the leap from the small screen to the big. It’s also an incredible introduction to a remarkable actress in a role that will undoubtedly prove to be an instant classic horror movie heroine. |
| IGNKenneth Seward Jr.An engrossing, inventive, and at times, unsettling horror film. |
| Paste MagazineMatthew JacksonFierce, fun, and steeped in youthful energy, it’s a film that’s willing to go to some truly dark places in its exploration of grief, death and what it means when we reach too far into the beyond, but it’s also never afraid to laugh along the way. That juxtaposition alone is enough to make it one of the year’s must-see horror films, an addictive thrill ride that never loses its own playful spin on some classic horror ideas. |
| Original-CinThom ErnstCredit goes to the Philippou brothers for their originality and perfectly queasily executed bits of ghoulish anarchy. |
| The Globe and Mail (Toronto)Barry HertzAlthough the movie’s energies dip slightly toward its end, when Mia’s plan to rid the world of the cursed hand requires superhuman acts of strength and derring-do, Talk to Me delivers a series of slash-and-burn shocks that last far longer than 90 seconds. |
| IndieWireRobert DanielsA bundle of taut nerves stretched to their vomit-inducing breaking point, Talk to Me, the directorial feature debut from Australian Youtube brothers Danny and Michael Philippou, is the type of horror film whose effectiveness arises from its barebones simplicity. |
| Slant MagazineChuck BowenThe film has a free-floating, nearly intangible sense of unease that greatly serves it. |
