Take This Waltz
Take This Waltz

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- 66/100 based on 25,680 votes

A happily married woman falls for the artist who lives across the street.... (Full plot summary below)

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A happily married woman falls for the artist who lives across the street.

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Movie Reviews

The Daily Review/Crikey - 10/10 by Luke Buckmastera soap opera for people who don't watch soap operas; Dawson's Creek for those who scoff at the prospect of watching James van der Beek, Katie Holmes and - yes - Michelle Williams, shooting the pop culture breeze.
San Francisco Examiner - 10/10 by Jeffrey M. AndersonTake This Waltz, the second feature film directed by actress Sarah Polley, is a crushing, but breathtaking look at romance -- the kind rarely, if ever, portrayed in movies.
Daily Telegraph (UK) - 10/10 by Robbie CollinFlush with beauty and truth, and is unerringly, unnervingly accurate on love, desire and friendship.
Newsday - 9/10 by John AndersonNo one's a cliche; no one speaks dialogue the viewer could have muttered a beat or two ahead of the movie; no one hews to a mode of behavior fabricated to explain away his or her irrational behavior.
Film.com - 9/10 by William GossBoasts many keenly felt moments, but it's never quite more than the sum of its admittedly tender parts.
Bullz-Eye.com - 9/10 by Ezra SteadWith her latest film, Take This Waltz, Polley proves that her first film was no fluke and that she is one of the most insightful directors working in independent film today.
Washington Post - 9/10 by Michael O'SullivanIn the end, it's a story of misplaced faith. In what? Not love exactly, but in the rush of infatuation, and the illusion that this feeling can be maintained, indefinitely, without crashing.
Voices & Visions - 9/10 by Jim LaczkowskiThis is experiencing the acceptance of disconnection, which can manifest every time we meet someone new and/or feel displaced with someone we thought we'd love forever. Polley is an important director to fearlessly capture this here.
DCist - 9/10 by Pat PaduaPolley doesn't seem to know what to do with [Seth Rogen], domesticating the...persona that you know would have had a ribald field day with those chickens he's always cooking.
NPR - 9/10 by Jeannette CatsoulisThe film weaves a spell as inchoate as Margot's discontent.

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