
Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He dire... (Full plot summary below)
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Theater director Caden Cotard is mounting a new play. Fresh off of a successful production of Death of a Salesman, he has traded in the suburban blue-hairs and regional theater of Schenectady for the cultured audiences and bright footlights of Broadway. Armed with a MacArthur grant and determined to create a piece of brutal realism and honesty, something into which he can put his whole self, he gathers an ensemble cast into a warehouse in Manhattan's theater district. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a small mock-up of the city outside. As the city inside the warehouse grows, Caden's own life veers wildly off the tracks. The shadow of his ex-wife Adele, a celebrated painter who left him years ago for Germany's art scene, sneers at him from every corner. Somewhere in Berlin, his daughter Olive is growing up under the questionable guidance of Adele's friend, Maria. He's helplessly driving his marriage to actress Claire into the ground. Sammy Barnathan, the actor Caden has hired to play himself within the play, is a bit too perfect for the part, and is making it difficult for Caden to revive his relationship with the alluringly candid Hazel. Meanwhile, his therapist, Madeline Gravis, is better at plugging her best-seller than she is at counselling him. His second daughter, Ariel, is disabled. And a mysterious condition is systematically shutting down each of his autonomic functions, one by one. As the years rapidly pass, Caden buries himself deeper into his masterpiece. Populating the cast and crew with doppelgangers, he steadily blurs the line between the world of the play and that of his own deteriorating reality. As he pushes the limits of his relationships, both personally and professionally, a change in creative direction arrives in Millicent Weems, a celebrated theater actress who may offer Caden the break he needs.
Leave your thoughts about Synecdoche, New York.
| The New York TimesManohla DargisTo say that Charlie Kaufman's Synecdoche, New York is one of the best films of the year or even one closest to my heart is such a pathetic response to its soaring ambition that I might as well pack it in right now. |
| SSG SyndicateSusan GrangerCharlie Kaufman's existential fantasia with the odd name is a weird, tiresome rumination on love, hate and the creative process. Fellini did it far better in '8 1/2' in 1963. |
| eFilmCritic.comErik ChildressIt's an intricate piece to the puzzle of self-examination that began in Adaptation and continues into one of the most challenging, exasperating and beautiful works to hit theaters since probably Eternal Sunshine. |
| Charlotte ObserverLawrence ToppmanWatching the film is also wearying, like assembling a puzzle from a box into which a sadist continually pours new pieces. I was still processing details when the abrupt ending snatched the puzzle away. |
| AV ClubScott TobiasFor this master of mindfuckery, Synecdoche, New York probably qualifies as a magnum opus, since it essentially multiplies "Adaptation" by an exponential factor and thus grows into a snarling, ungainly beast of self-reflexive absurdities. |
| Austin ChronicleMarjorie BaumgartenSynecdoche is the kind of movie that rewards repeated viewings. But sometimes, as Van Morrison sings, it's just best to "sail into the mystic." |
| MSNBCAlonso DuraldeIt's the best American film of 2008 to date, and probably of 2007 and 2006 as well. |
| Empire MagazineAndrew MaleAstonishing. Kaufman has surpassed himself with a film that will delight and confound. You will want to see it again. And again. |
| DVDTalk.comJason BaileyIt's an odd film, but an unquestionably bold and moving one all the same, and the fact that you can go out to a theatre, buy a ticket, and see it is a bit of a miracle in and of itself. |
| Chicago Sun-TimesRoger EbertI think you have to see Charlie Kaufman's Synecdoche, New York twice. I watched it the first time and knew it was a great film and that I had not mastered it. The second time because I needed to. The third time because I will want to. |