Jimmy Reeves, a smart young newspaper reporter, saves a banker. John Walton, and his daughter, Claire, from ruin and disgrace and also wins the affections of the banker's daughter. Mr. Walton and Claire are induced to attend a séance held by Swami Yomurda, a fake spiritualist, which is a redundant description. Impressed by the fake Swami's trickery, Walton almost loses his fortune and his daughter before the reporter exposes the bunko scheme.... (Full plot summary below)
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Jimmy Reeves, a smart young newspaper reporter, saves a banker. John Walton, and his daughter, Claire, from ruin and disgrace and also wins the affections of the banker's daughter. Mr. Walton and Claire are induced to attend a séance held by Swami Yomurda, a fake spiritualist, which is a redundant description. Impressed by the fake Swami's trickery, Walton almost loses his fortune and his daughter before the reporter exposes the bunko scheme.
Leave your thoughts about Sucker Money.
| User ReviewJames HSimple and slightly offbeat tale. Good cast, Mischa Auer always does well. Very short, good pace. Interesting story. |
| User ReviewSteve MSucker Money Starring: Earl McCarthy, Mischa Auer, Phyllis Barrington, and Mae Busch Directors: Dorothy Davenport and Melville Shyer When Jimmy (McCarthy), an actor-turned-newspaper reporter, infiltrates a group of confidence artists who are running an elaborate phoney psychic operation, he gets more than just the material for a great expose: He finds romance in the form of beautiful Ms. Walton (Barrington), one of the targets of the bad guys, and he finds danger at the hands of the murderous leader of the gang, Swami Yomurda (Auer) when his cover is blown. "Sucker Money" is a fine, fast-paced little reporter-saves-the-day-and-the-girl and self-declared "expose" film of the phoney psychic racket (which, given the number of movies that were made with this theme during the 1930s and 1940s, I can only assume was quite widespread). The set-up is a bit weak--a criminal enterprise as elaborate and organized as the one presented in this film wouldn't turn to the want ads when it came to hiring new help--but that bit of nonsense aside, the film is engaging, well-acted, and well-filmed... even if it feels and looks a bit too much like a silent movie at times. (There's also the minor issue with the reporter wearing more lipstick and eyeliner than any of the women characters in the film when he's in his "acting mode". Perhaps that's to remind the audience that he's a ACTOR? Or maybe that was part of his disguise--"if they think I'm one of THOSE actors, the women won't come onto handsome ole me, and I'll get my story quicker"? The weaknesses of the film are more than made up for by the evil Swami Yomurda (whose name is never said in the film, thank God.) Auer protrays a truly sinister and evil character, with strongly scripted actions to support him. He may be a fake psychic, but he has Svengali-like hypnotic powers, and he has no compulsion about ordering those under them to dispatch themselves by drinking poison. He does just this in the film's most startling scene. The scene alone makes the film worth watching, although the strong climax also makes it well worth your time, if you;re a lover of old-fashioned crime dramas. |
