Still
Still

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- 52/100 based on 864 votes

Set in North London, 'Still' is a gritty and atmospheric thriller about the violent disintegration of a man and father. Tom Carver (Aidan Gillen) is a man stumbling blindly towards a crossroad in his life, thrown out of focus by the death of his teenage son a year earlier. He becomes involved in a feud with a teenage gang after a seemingly harmless collision with a young kid. As the feud becomes more horrifying, Carver's world starts to unravel forcing him to make decisions t... (Full plot summary below)

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Full Plot Details

Set in North London, 'Still' is a gritty and atmospheric thriller about the violent disintegration of a man and father. Tom Carver (Aidan Gillen) is a man stumbling blindly towards a crossroad in his life, thrown out of focus by the death of his teenage son a year earlier. He becomes involved in a feud with a teenage gang after a seemingly harmless collision with a young kid. As the feud becomes more horrifying, Carver's world starts to unravel forcing him to make decisions that will change his life forever.

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Movie Reviews

Times (UK) - 8/10 by Wendy IdeWe are so used to seeing Aidan Gillen playing power-wielding politicos that it's almost disconcerting to see how comfortably he inhabits the skin of a character hurtling towards rock bottom in Still.
We Got This Covered - 8/10 by Robert KojderNot only is Still an intense look at a father's tragic descent into madness over losing his son, but it's also a surprisingly, extremely competent film from first-time director Simon Blake.
Film Ireland Magazine - 7/10 by Dee O'DonoghueGillen portrays Carver as a somewhat latter-day Hamlet; an essentially benevolent man who struggles to retain his sanity as he seeks to apprehend his bizarre, fragmented reality through grief and psychological hostility.
Independent (UK) - 6/10 by Geoffrey MacnabThe film, set in north London, is stylishly shot and Gillen plays the troubled lead with a mercurial mix of swagger, self-loathing and self-pity.
Radio Times - 6/10 by Karen KrizanovichStrong performances and vivid production design buoy up this evocative, troubling film that shows flashes of brilliance from writer/director Simon Blake, making his feature debut.
HeyUGuys - 6/10 by Stefan PapeStill marks a creatively inclined project for Simon Blake, who cannot be faulted for his aptitude for ingenuity, with a palpable attempt to be experimental in his means of storytelling.
Little White Lies - 6/10 by Adam WoodwardWriter/director Simon Blake's provocative debut feature taps into society's collective fear of young people in a way that will resonate with anyone who has ever lived in a major city.
Empire Magazine - 4/10 by Simon CrookWhy Simon Blake turns to credibility-killing melodrama is baffling enough, but the effect is one of cheek-puffing frustration and emotional disconnect.
The List - 4/10 by Nikki BaughanPerhaps this is entirely the point, but Still ultimately feels like an interesting idea that's been beaten into submission by a filmmaker looking to make an impact, rather than tell a story.
Time Out - 4/10 by Trevor JohnstonA film which is desperate to make a grand statement about the awful toll of isolation but falls short of its ambitions.

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