
The Knables are having marriage problems: Roy is a lousy plumbing supplies salesman by day and couch potato by night, and his wife, Helen, is a successful senior product manager for a vitamin company. Roy watches too much TV every night and Helen just cannot stand it. Then one night, Helen offers Roy a night to save their relationship: a romantic getaway without phones, their children, and especially no TV. Unfortunately, when Roy's hooked on the big screen, there's no going ... (Full plot summary below)
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The Knables are having marriage problems: Roy is a lousy plumbing supplies salesman by day and couch potato by night, and his wife, Helen, is a successful senior product manager for a vitamin company. Roy watches too much TV every night and Helen just cannot stand it. Then one night, Helen offers Roy a night to save their relationship: a romantic getaway without phones, their children, and especially no TV. Unfortunately, when Roy's hooked on the big screen, there's no going back. This frustrates and angers her and Helen decides to smash the family console with one of Roy's trophies as a wake-up call to reality. A heartbroken-to-disoriented Roy then hears the doorbell and finds out that it's a mysterious salesman named Spike who offers him the "ultimate getaway" from all the hate, frustration, and failures: a new remote controller and a new state-of-the-art satellite TV. Roy accepts the new TV by signing a free trial contract not knowing that he just sold his soul to the devil himself. But later, Helen is both not impressed and steamed. After a fight outside, the "dish" activates. Roy and Helen try as hard as possible to escape, but it was too late for the force of gravity from the dish sucks them into the "Cable Television World of Hell" - all six hundred and sixty-six channels worth. Now they must survive through every episode of shows such as the game show "You Can't Win", the U.W.W.F. (Underworld Wrestling Federation) match, "Northern Overexposure", "Driving Over Miss Daisy" and a cartoon sequence called "RoboCat", "Autopsies of the Rich and Famous", "Duane's Underworld", "HTV", and "Off With His Head", all within 24 hours. If successful, they will return back to home, but if they fail, the devil keeps their souls forever. After they survived one day without harm, Roy gets sent back home while Spike hold Helen hostage. Now with the help of their children, Daryl, a communication whiz, and Diane, a fashion freak, Roy must re-enter the underworld of Hell Vision TV and save his wife, while keeping a distance from Spike. It is then that Roy will learn the hard way that there's more things in life than only a television. Like commitment.
Leave your thoughts about Stay Tuned.
| Video-Reviewmaster.comSteve CrumAs a 1992 state of the art video sci-fi satire, not bad. |
| The Hollywood ReporterDuane ByrgeA cleverly plotted movie that offers ample opportunity for spoofing anything and everything that can be found on television. Unfortunately, most of its takeoffs -- of a black-and-white gangster film, a spaghetti western and a period swashbuckler -- show no feel for genre and no genuine wit. |
| Washington PostRita KempleySometimes the material's rather too gruesome for a family-oriented film, but as one HVTV intern says to the Devil, "It isn't the blood that bothers me, so much as the lack of subtext." |
| Hartford CourantMalcolm JohnsonPeter Hyams, who has flopped in virtually every genre, despite a strong visual sensibility fleetingly in evidence here, seems devoid of comic ideas at each heavyhanded turn. |
| BrianOrndorf.comBrian OrndorfSimply crashes upon takeoff, going nowhere in a hurry, sniffing around for pop culture overkill and domestic depression insight it never makes a genuine play to explore. |
| San Francisco ChronicleEdward GuthmannFormer US sitcom staple Ritter breezes through his undemanding role with gormless bewilderment, reacting rather than acting, while Dawber screams and hollers as the special effects - the film's real stars - bounce them from one side of the screen to the other. |
| VarietyJoseph McBrideHyams’ lensing and Philip Harrison’s production design are slick, and Peter E. Berger’s editing works hard to simulate the zapping effect of cable remote control, but technical cleverness can’t overcome the deadly lack of intellectual invention on display in this mechanical exercise. |
| Los Angeles TimesKevin ThomasRitter, Dawber and Jones are skilled comedians, and director Peter Hyams typically handles large-scale entertainments with aplomb. But it’s hard to see how anyone could have made anything out of something as flat as Stay Tuned. |
| Chicago TribuneGene SiskelThe parodies are funnier than any of the dialogue between Ritter and wife Pam Dawber. |
| USA TodaySusan WloszczynaThe film boasts the emotional depth of a 30-second soap commercial, and Hyams' direction fails to sustain humour or tension. A dismal affair which goes down the tube. |